Two AIGA Innovate Awards Granted to AIGA Baltimore

Every great success story starts at the first chapter, and we are thrilled to be starting two books at once.

AIGA Baltimore is proud to announce that we have received not one but two AIGA Innovate grants for special projects that are poised to have a lasting impact on the design community in Baltimore and at large.

Within the next year board members and a committee of volunteers will work to produce an EntreprenU Design Business Toolkit, a collection of tools and content aimed at helping designers and AIGA chapters become more business savvy, and a Design Legislation Wiki, an online resource for established and in-progress legislation related to design and design education across the United States.

Read more about these two projects and about AIGA Innovate below.

 

AIGA Innovate

AIGA Innovate is a grant program developed to encourage and empower chapters to boldly face the future. The program funds game-changing projects at AIGA chapters across the country, which improve the AIGA member experience, impact the wider community, are scalable to other chapters, and are sustainable after the initial grant period.

AIGA Innovate is a four-year fund with up to $250,000 to be awarded each year. AIGA members, in collaboration with their chapter board leaders, can apply for AIGA Innovate funds by submitting a formal application detailing their project. To ensure that projects meet the high standards set for all AIGA Innovate projects, there is an eight-person selection committee that reviews the projects through a rigorous two-round review process before awarding the finalists.

The first group of projects was funded in 2015. In 2016, three projects were funded; AIGA Baltimore received two grants: the EntreprenU Design Business Toolkit and the Design Legislation Wiki, and AIGA Arizona received a grant for their project, Empowering the Underserved DesignKit.

Read more about AIGA Innovate on AIGA.org.

 

AIGA Baltimore’s Innovate projects

 

EntreprenU Design Business Toolkit

This toolkit will consist of articles, templates, tutorial videos, and other content to help designers start their own business. Content will relate to business plan development, tax filing, how to talk about the value of design to non-designers, and variety of administrative considerations.

The toolkit will also cover on soft-skills and research-assisted data, giving design entrepreneurs a primer in making a pitch, business writing, effectively presenting work, and managing clients.

 

Design Legislation Wiki

The value of design and design thinking is more important than ever for businesses and communities. However, there is a disconnect between local design policy and legislation and the communities they are meant to serve.

This online resource will be a searchable, visual database of established and in-process legislation for design at the professional level, and in education, especially K-12. Searchable by zip code or state, users will be able to see not only what is going on in their community, but what other communities across the country have implemented.

Additionally, the website will include a toolkit with examples of good design legislation and STEAM education policy that communities can use as templates for their own proposals. It will also include forms that can be customized to contact local representatives about the importance of, and interest in, specific design legislation.

 

Project Progress and Next Steps

AIGA Baltimore board members are currently nailing down project details, milestones, and timelines so that these projects are set up for success and can be fully developed within the next year.

Our next steps will be to to develop RFPs for the design and development of each project and assemble a committee of volunteers to drive execution.

A talented project manager, web developer, and content expert is needed for each project—these volunteers will be critical for the success of the initiatives, and for our board to be able to continue producing and improving our ongoing events and design programming.

Know anyone who wants to make an impact and might be a good fit for one of these roles? Sit tight! We’ll have more project details, committee position descriptions, and a link for you to apply your talent (or nominate someone else’s) to these special projects. In the meantime, you can contact us at socialdesign@baltimore.aiga.org if you have questions or comments.

We look forward to bringing these initiatives to the Baltimore community, and beyond.

For the Love of Analog Design

With the recent launch of Adobe’s Creative Cloud came an assortment of new tools and features, most of which I’ll likely try to learn in an attempt to keep as current as possible. After hours of tutorial videos, I should be able to recognize which ones I’ll put into practice and which aren’t relevant to what I do. It’s sort of a labor of love for me, really, much like back when I was a more traditional artist and I’d spend an hour wandering through Utrecht’s, picking up new medium to try, trying it out, and either putting it into play, or abandoning it.

utrecht

Take my money..!

Since the digital design capabilities are already getting their press this week, I’d like to take this opportunity to recognize the analog  tools in my workflow, like pencils, paper, etc., and how I use them to start a digital project. If the finished project isn’t proprietary, I’ll have that original piece of work to sell, which wouldn’t be possible if the entire project were done, start to finish, in Photoshop or Sketchbook Pro.

Pencils!

No doubt, a #2 pencil with a full eraser on the end is a thing of joy. Because I learned how to draw while not paying attention in grade school, flipping a pencil around is more natural than using a separate eraser; therefore, the #2 is the favorite for sketching. I never was able to find a proper use for those pencil-packs with the range of lead-hardness but that rarely stops me from buying them every Fall.

#2 pencil and non-photo blue

Old Reliable and Blue

Once an idea and composition is nailed down, a Col-Erase non-photo blue is used on a fresh surface to fine-tune the details. This blue color is helpful because it’s dark enough to work with but appears faded compared to the final inking, hiding any un-erasable marks. Additionally, the blue can be easily filtered out after scanning when moving the work to a digital platform.

Color pencils have all but completely phased out of my process, mostly because I don’t finish the original illustration in color very much anymore. When I do, it’s Prismacolor and it always has been.

prismacolor pencils

My childhood was pretty much fueled on these and Watermelon Nerds.

Pens!

For years, I’ve used a fine-line Sharpie to make regular, everyday notes. It’s for legibility reasons, actually: nothing I write in ball-point can be read. When inking a drawing, I switch between Pitt artist pens (sizes F-XS) and, for the most delicate work, a Pilot Hi-Tec-C, which is engineered for precision with smudge-free ink. It’s probably my favorite pen ever but don’t tell Sharpie I said that.

sharpie, pitt pen, and hi-tec-c

Sharpie Ultra-Fine, Pitt artist pen, and the legendary Hi-Tec-C

Markers!

Markers are a newer addition to my analog arsenal. After trying out Prismacolors for a while and not liking the results, I bought a few made by Copic, based on user feedback.

copic markers

This is, like, $100 in markers.

These markers are expensive and their hype borders on cultism, but I’ve never used anything as satisfying as Copics to complete an illustration. That’s saying a lot, since all 24 of my markers are shades of warm and cool grays.

Paper!

I have three types of paper: dirty, clean, and notebook. The dirty paper is a sketchbook that comes from the dollar store, with 80 pages of cheap, grey, pulp. It’s not only inexpensive, alleviating worry about using it up too quickly, but it’s also not suitable for a finished piece, granting a sort of freedom to experiment and make mistakes.

Cheap, dollar-store sketchbook = priceless. Well, a dollar, actually.

Cheap, dollar-store sketchbook = priceless.
Well… it’s a dollar, actually.

This sketchbook is filled in every available space, worn spots or tears appearing if too much erasing is done, creating a healthy sort of forced revision of ideas rather than attempting perfectionism on a particular sketch. Perfectionism isn’t what a sketchbook is for.

Clearly.

Clearly.

The clean sketchbook is always the same for me: Strathmore Bristol Smooth. This is where the best parts of many dollar store pages goes, sewn together like Frankenstein’s monster, copied over in non-photo blue via grid, lightbox, or projector depending on the size.

So bright. So very, very bright...

So bright. So very, very bright…

This copy, once inked, is captured digitally either with a scanner or, if it’s over 8.5×11, a camera for Photoshop. Then the original can be completed with markers or colored pencils.

My everyday notebook of choice is Field Notes because it fits into a back pocket and their design aesthetic is enviable. Released seasonally, they come in themed packs of three and usually sell out fast.

The County Fair edition is in prize-winning ribbon colors. Sweet.

The County Fair edition is in prize-winning ribbon colors. Sweet.

So, during all of the digital design news this week, consider revisiting those analog tools of the trade or even discovering them for the first time. Stop in your local art supply store, browse the sketchpads, check out some pen options, and maybe find something that you can share with us here at AIGA Baltimore. We might be able to make an event out of it.

Hmm: Analog Design Day. That has a nice ring to it.

Greg Jericho spends an awful lot of time designing for clients that do not exist at his equally fake company, Myopic! Studio.