Finch Paper & Baltimore Color Plate joins forces with award-winning design director Greg Bennett aka WORKtoDATE to help make a difference in Haiti.

The Haiti Poster Project

Recently, Finch Paper joined forces with internationally recognized, award-winning design director Greg Bennett aka WORKtoDATE (www.worktodate.com) to help make a difference in Haiti. This poster and many others have been donated to the Haiti Poster Project. The Haiti Poster Project was launched three days after the January 12th, 2010 earthquake in Haiti. The project is a collaborative effort by the design community to help effect change through our work. Signed and numbered, limited edition posters have been donated by designers and artists from around the world. All money raised will be donated to Doctors Without Borders. This poster is now available among many others.

The concept for this poster “hope lies beneath” was inspired by Haiti’s nickname, La Perle des Antilles. La Perle des Antilles translated from French to English means The Pearl of the Caribbean. A pearl is symbolic of something precious that is sought after. I chose to use it in my design to represent the people affected by this earthquake. I’ve incorporated several Easter eggs in this design revealing facts about this earthquake and if you look closely, you may find a silhouette of Haiti’s country.

A special thanks to Signe Renn and Baltimore Color Plate (www.baltimorecolorplate.com) for donating their printing expertise and Mike Chester of Finch Paper  (www.finchpaper.com)  for donating the premium paper.

Please visit THPP to purchase this poster or learn more.   http://www.thehaitiposterproject.com/

Create Don’t Hate …Updates

"Work Hard" Billboard

Last October, AIGA Baltimore sponsored Create Don’t Hate with Worldstudio. This was a mentoring program for high school students in the Baltimore area. Graphic designers were matched up with students interested in visual arts from Patapsco and Patterson high schools. The groups worked together to create posters that later on could become billboards throughout the city. The billboards, after some delays, went up in July!!

Recently, The Baltimore Sun covered the billboards with a profile on the billboards and included quotes from some of the students involved. View the Baltimore Sun’s story here: http://articles.baltimoresun.com/2010-08-13/news/bs-md-co-students-design-billboards-20100813_1_billboards-tolerance-three-students

The Billboards are in the following locations:
1 006350 Belvedere Ave NS 25ft E/O Linden Hgts F/W – S Baltimore City Y WORK 07/20/2010
2 008300 Calvert St WS 10ft S/O Federal F/S – 1 Baltimore City Y TOLERANCE 07/19/2010
3 011320 Curtis Ave ES 10ft N/O Patapsco F/S – 1 Baltimore City Y TONE 07/19/2010
4 013050 Dundalk Ave WS 380ft S/O Gusryan F/N – 2 Baltimore City Y MAKEUP 07/20/2010
5 014650 Eastern Ave NS 80ft E/O Bethel F/W – 1 Baltimore City Y TRASH 07/19/2010
6 019600 Federal St NS 920ft W/O Erdman F/W – S Baltimore City Y DIVERSITY 07/20/2010
7 023650 Frederick Ave NS 50ft E/O Loudon F/E – 3 Baltimore City Y LUV 07/19/2010
The program lasted four weeks, with students and mentors meeting once a week. The billboard designs were based on a variety of topics such as: stop crime, domestic violence, love your city, stop vandalism in the streets, don’t trash your city, and much more. This was a great experience for students and many saw how a career in the arts can be achieved.

Thanks again to all the mentors:

  • Dani Bradford
  • Cris Cimatu
  • Debbie Feldman Jones
  • Joseph Ford
  • Kimberly Hopkins
  • Alissa Jones
  • Megan Lavelle
  • Mary Leszczynski
  • Ilene Lundy
  • Chad Miller
  • Llara Pazdan
  • Lark Pfleegor
  • Katie Rosenberg
  • Kevin Sprouls
  • Shannon Tedeschi
  • Andrew Walters
  • Grace Wanzer

And another big thank you to the students of Patterson and Patapsco high schools for participating!

This program is showcasing the power of design to ignite change to the general public and business community so please join us in this closing event! To see other programs that are happening in other cities, visit http://www.designigniteschange.org.

TEDxOilSpill Poster Competition!

Thanks Joe and Sarah for passing this along… sorry for the delay. But if you’re sitting in front of your computer waiting for a project, here’s something to wrap your head around…

TEDxOilSpill Poster Competition!

Design a social issues poster which addresses one or more or any combination of the following questions or ideas :

– Exploring new ideas for our energy future.

– Show ways we can mitigate the current crisis in the Gulf or how to help, prevent, or consider it anew.

– Interpret the disaster visually. The impact on humans, wildlife, cultures, economies.

– The poster can be about the response, the cause, the consequences or something you add to the larger global discussion on offshore drilling and the impact of burning oil for energy and production of petroleum based products — like plastic on the environment and the oceans.

– Something related to the national emergency in the Gulf of Mexico or a broader energy issues concept that you develop.

Please design a poster that is 28.5 x 21.5 inches vertical format.

Convert your final design to jpeg format and upload it to

http://www.flickr.com/groups/1402793@N25/

You will need a free flickr account to add the photo to the group. Please type your email address in the comments of your image.

Poster entry requirements:
– Previously unpublished artwork
– 28.5 x 21.5 inches vertical format poster
– File dimension 3225×4275 pixels
– File resolution 150 DPI
– File color space RGB
– File format JPG (not progressive)
– File size smaller than 4MB

Submissions will be accepted until 9:00 PM (EST time) June 23, 2010.

Be sure to name the entry file YOUR name like jack_smith1.jpeg or jones_design.jpeg NOT TEDxposter or poster.jpeg

If your poster is picked for display, we will contact you for a PDF version at full size. Please convert fonts to outlines on a copy of your original file before making it a PDF. This ensures reproduction of your specific typefaces.

Note: There is no fee to enter. There are no awards or prizes of any value for having work picked. Just a good feeling of accomplishment and we’ll show your poster at the conference. This is not a scientific poster.

This poster competition is for Maryland, DC, and Northern Virginia area designers and AIGA Baltimore and AIGA Washington DC members and AIGA New Orleans members and NOLA region designers. We’d love to have all of the U.S. enter or even the world but, we only have a few weeks before the conference so, we are limiting it to designers who work in the region plus New Orleans. Otherwise we would be swamped with too many entries to deal with. Normally design competitions take months to setup, months for people to enter, weeks for judging to happen. But this one is happening in just a few weeks with all volunteers. Thank you for understanding people of Moldova and Moose Jaw!

Confirmed Judges:

Ellen Lupton is the co-director of the graphic design MFA program at MICA in Baltimore and curator of contemporary design at the Smithsonian Cooper-Hewitt, National Design Museum in New York City

Aaris Sherin is a designer and associate professor of graphic design at St. John’s University in Queens, New York. Sherin’s writing and research focuses on the history of women in graphic design and is the author of SustainAble: A Handbook of Materials and Applications for Graphic Designers and Their Clients (Design Field Guide) from Rockport Press.

Scott Stowell is an award winning graphic designer from New York City where his studio, Open, does design and identity design work for a variety of clients in print and motion graphics. Scott lectures and writes about design and teaches at Yale University and the School of Visual Arts.

In 2008 Scott was awarded the Smithsonian’s National Design Award for Communication Design

Nancy Skolos is a partner with her husband Tom Wedell in their award winning design firm Skolos + Wedell. Posters designed by Nancy and Tom have won numerous awards and are in the collections of design museums world wide including MOMA and museums throughout Europe. A poster they designed was recently awarded a gold medal at the Polish Poster Biennial 2010. They both teach graphic design at the Rhode Island School of Design.

Competition concept, development, and organizer: Joseph Coates

Questions? email jmcoates@gmail.com

Donating Design …

I’ve got about 22 minutes before dinner, 45 minutes before the dogs need walking and an hour before a new episode of Top Gear, so I better get cracking with this post. I was thinking of a recent project I did not win and I thought of you AIGA’ers and design blog enthusiasts. Upon hearing of my work with another firm, I got a call to do design work. But it wasn’t a typical call—and when I say typical—it wasn’t a robo-telemarketer selling health insurance. It was a bona-fide call. But as it turns out, the call was from a foundation with a solicitation for donated work because they love my work.

Of course they mentioned that their budget is tight and they have no money, but they wanted an interesting design for their upcoming event. I suggested a fee and they declined. Which had me thinking: “do you really love my work if the work won’t support me? Would you love my work if I spent a half-hour (my available “free time”) designing your project?”

At an AIGA event two years ago, for instance, David Plunkert, of Spur Design, mentioned that even in donated work, he develops an estimate and an invoice that reflects the actual value. That’s an idea I like, because what I want more than anything (almost more than getting paid) is to have people value the work that I’m doing, even at the expense of the pesky conversation of value getting in the way. But, let’s be honest. Money is at the base of the discussion. Always. Or at least gratitude. Once, I did work and got a $100 Panera card. that was great stuff!

Four our profession, most important to the equation for donated work is engaging selectively in a matrix of work that involves either a cause that I support (Shepherd Fairey’s Obama Posters), something that allows for a breaking of a boundary (creativity, etc.), and/or doing work for a cause that can benefit from our personal effort (i.e. Haiti fundraising, for instance). In other words, one should manage donated work (printing, pr services) like one would with giving money. As it turns out, money is often easier to give. No one calls you back two or three times telling you the decimal in the wrong place.

As for serving on a board, I’ve often heard that people, no matter what the profession, say one should not do for a board what they do for a profession: meaning the lawyer shouldn’t become the legal counsel or the accountant shouldn’t stay up late balancing the books. Again, I believe that as long as one is aware, it’s a matter of personal preference. Those knowledgeable can clear the way for that board to secure those valuable services, by knowing what to look for. While experiences are different, I’ve been nominated to a committee because ostensibly I could design. And as a CEO once mentioned to me: “there are three things I nominate board members for: money, wisdom or work,” you still don’t want them looking at you like you’re the media department. Contribute in disciplines that are outside of your profession because you can extend your experience, and extend their value for the work.

It’s difficult to estimate that if you, as a great creative, contribute to a project that you may introduce the client to the value of great design. Sometimes this happens. Certainly, sometimes it does not. The client’s gratitude can evaporate as soon as the work commences. They box you in creatively. Other conditions arise. Or, other times, they may become more cumbersome than a paying client. It’s important to have a strategy towards these projects and don’t be afraid to be clear up front.

While creatives are often happy to contribute their talents to causes, be measured in how much of that you do, because sometimes firms become addicted to free work, spending all their time looking for free work, when some of the work they commission should be paid.

In an age when it’s more and more valuable for designers to embrace the inherent and latent value of their work, be mindful of your approaches when it comes to the donation of design work.

Create Don’t Hate

Last October, AIGA Baltimore sponsored Create Don’t Hate with Worldstudio. This was a mentoring program for high school students in the Baltimore area. Graphic designers were matched up with students interested in visual arts from Patapsco and Patterson high schools. The groups worked together to create posters that later on could become billboards throughout the city. The program lasted four weeks, with students and mentors meeting once a week. The billboard designs are based on a variety of topics such as: stop crime, domestic violence, love your city, stop vandalism in the streets, don’t trash your city, and much more. This was a great experience for students and many saw how a career in the arts can be achieved.

Thank you to the mentors that participated:

  • Dani Bradford
  • Cris Cimatu
  • Debbie Feldman Jones
  • Joseph Ford
  • Kimberly Hopkins
  • Alissa Jones
  • Megan Lavelle
  • Mary Leszczynski
  • Ilene Lundy
  • Chad Miller
  • Llara Pazdan
  • Lark Pfleegor
  • Katie Rosenberg
  • Kevin Sprouls
  • Shannon Tedeschi
  • Andrew Walters
  • Grace Wanzer

And another big thank you to Patterson and Patapsco high schools participating!

If you missed the closing reception, here are pictures showcasing some of the designs:

For more information email viviana@baltimore.aiga.org.

This program is showcasing the power of design to ignite change to the general public and business community so please join us in this closing event! To see other programs that are happening in other cities, visit http://www.designigniteschange.org.

Images were taken the day of the reception February 4th, 2010 from 6:30 pm to 8:30pm at Patapsco High School Center for the Arts.

billboard designs

billboard designs

billboard designs

billboard designs

billboard designs

billboard designs

billboard designs

More Haiti Stuff … Event February 11th (from their website)

http://www.baltimoreacts.org/

ROCK TO REBUILD
Join us in a Gala Concert Celebration uniting the spirit of Haiti and Baltimore, featuring Melky and Farel Jean, Mario, Mya and Morgan State University Choir.

February 11, 7:30pm
Joseph Meyerhoff Symphony Hall
Buy TicketsTickets aren’t on Sale Yet
STAY INVOLVED
To learn more, follow us on twitter @baltimoreacts and on Facebook at BaltimoreACTS
Please add me to your list *
Baltimore ACTS
Haitian-born, Grammy-nominated singer-songwriter Melky Jean and singer Farel Jean, siblings of Wyclef Jean, will host “Rock to Rebuild,” a gala benefit concert for Haiti, on Feb. 11 at 7:30 p.m. at the Meyerhoff Symphony Hall. Tickets are on sale now!

Grammy-nominated R&B vocalist Mario, acoustic guitarist and singer Adam Day, R&B vocalist Mya and Pop Rock artist Ryan Cabrera along with T-BOZ of TLC are among the national recording artists expected to share the stage with the Morgan State University Choir and international Afro-jazz ensemble The ARKJammers. Multi-platinum producer Darryl Pearson, who has worked with Madonna, Justin Timberlake and Chris Cornell, is the concert’s music director.

Speaking of Doing Away With Our “Resistance” …

I’m old enough to have been an avid fan of Voltron. For you young bucks, here’s a screen shot from the wonderful internet …

(Turns out there may be a movie in the works… if it’s as “off” the original as Speed Racer my favorite cartoon of all times, I’ll pass… anyway)
I was reading a back-issue of Esquire and reading an article where the interview subject, Michael Eisner, discusses what he/she has learned. So, that’s about twenty-five questions of this person’s observations and it got me thinking with the Create Don’t Hate reception upcoming tomorrow and the ever-burning quest to end violence (2/4/10):

“My father never got over his anger about his brother being killed in World War II. That’s one incident sixty years ago. This is happening every day in the Middle East. If you kill my sister, am I ever really going to forgive you? Are my children ever really going to forgive you? So when you have generation upon generation murdering each other, how do you end the unfortunate continuity of evil? It will take more than an intellectual solution. It’s stopping it long enough for a generation to forget.”

It has my wheels turning probably to your dismay that I would shout-out Voltron at this point. I remember one episode back in the Old-School Rap days where on the show, the Voltron forces were about to fight their enemy (Ro-beasts). Well, the force figured out if they didn’t start with an aggressive action the enemy was “programmed” not to fight and in this episode, there was simply no battle. And I thought: genius!!! How could we de-program the cycle of violence by ending the notion of getting back at your enemies.

I mean, really how? I always remember watching The Kung-Fu Action Theatre movies from the seventies and being a bit perplexed by this notion of revenge for my family: “You disrespected my family… I must revenge my father, blah, blah, blah” and being amused, if not perplexed by this notion. But true enough, cultures and not just quaint caricatures from the movie of the week take a sense of respect for real. And it may be the loss of civility as much as anything that perpetuates violence.

This lesson is the one that for me just keeps on giving.

Once, I was coming home with my wife, who needed to use the banister to our then-apartment in Charles Village. There were two dudes sitting on the steps and for the first few seconds they seemed not to plan to move. (The scene that ensued was a snippet from Boyz ‘N The Hood with me castigating them for not getting out of the way.) Well, I took it too far. There was glass on the steps, like someone had clearly just broken a bottle and left the glass. I got so mad, I kicked the glass and all I remembered was the glass rolling down one of the guy’s chest.

Now here’s the thing, I could’ve played it hard but given the situation—despite being their senior by at least five years, me, getting blustery with these guys—could come back on me when I really was focused on them respecting the property and our presence. I apologized, not out of fear, but because many if not most “beef” in the street seems to be the result of a lack of respect for one another. And it’s often on that basis, that people often seek revenge.

So what would happen if we learned to deal with violence in a way that truly de-fuses its need to exist? What would happen if we turned off our instinct for violence, with a notion to a cycle of violence?

Could it happen by just not responding?

Create! Don’t Hate Closing Reception Next Thursday


Create! Don’t Hate exhibition
January 14 – February 10, 2010

Reception and overview
Thursday, February 4, 6:30pm to 8:30pm

Patapsco High School and Center for the Arts
8100 Wise Ave, Baltimore, MD 21222 – 4898
410 887 7060

This event is free and open to the public

Please come and join us and be part of our closing program reception!
For more information email viviana@baltimore.aiga.org

Create! Don’t Hate exhibition is result of the mentoring program for high schools in the region of Baltimore this past Fall 2009. This program was a partnership program of AIGA Baltimore and Worldstudio. Our goal was to connect graphic designers with high school students from Patapsco and Patterson High School interested in visual arts and have them create slogans/posters that later on could become billboards throughout the city. This was a great experience for students that wanted to enter the field of Illustration or Graphic Design in the future.

The program lasted four weeks, students and mentors met once a week. The billboards are based on a variety of topics such as: stop crime, domestic violence, love your city, stop vandalism in the streets, don’t trash your city, and much more.

Mentors showcasing on the exhibition:
Dani Bradford
Cris Cimatu
Debbie Feldman Jones
Joseph Ford
Kimberly Hopkins
Alissa Jones
Megan Lavelle
Mary Leszczynski
Ilene Lundy
Chad Miller
Llara Pazdan
Lark Pfleegor
Katie Rosenberg
Kevin Sprouls
Shannon Tedeschi
Andrew Walters
Grace Wanzer

This program is showcasing the power of design to ignite change to the general public and business community so please join us in this closing event! To see other programs that are happening in other cities, visit http://www.designigniteschange.org