New Look. Same Mission: Why We Updated Our Brand

We introduced AIGA Baltimore’s pink-oriented branding in 2016 (reference). The Baltimore chapter has served the design community for 36 years, but the impact of design has shifted drastically over the past decade.

Why We Refreshed the Brand

The design industry has changed significantly, including the segmentation of design as a discipline. The COVID-19 pandemic also heightened the importance of health, wellness, and job satisfaction. At the same time, diversity, inclusion, and belonging have become central conversations in the creative industry.

AIGA Baltimore is a safe space for creatives to express themselves and connect meaningfully, beyond being a nonprofit organization. With this shift in purpose and perspective, the previous brand no longer reflected who we are.

Community Feedback

To lay the groundwork, we gathered feedback from both members and non-members. A public survey offered invaluable insights, and the overwhelming response became the foundation of the brand refresh.

“…it’s a waste of money.”
“I have failed to see myself represented on the board or in the events.”

“AIGA hasn’t been able to establish a relationship with creatives of color. Whether intentional or not, I think it speaks volumes.”

We asked hard questions during internal discussions:

  • What do members gain from joining?
  • Are the benefits clear and useful?
  • Does our organization appeal to both beginning and seasoned designers?

Highlighting the Community

Baltimore is known for its restaurants, museums, and tourist attractions, earning its nickname “Charm City.” It’s also a place that embraces both its grit and its cultured environment, combining a small-town feel with strong urban roots.

As Maryland’s sole AIGA chapter, we wanted to capture this character in our brand. Our rebrand committee settled on the phrase “Unapologetically Urban” to reflect Baltimore’s bold and authentic spirit. This theme became the guiding principle for the new branding direction.

Creative Exploration

We began by drafting a mood board inspired by street culture, experimental typography, and bold colors. These elements capture the essence of Baltimore’s creative community.

After using the same color palette for eight years, we expanded beyond AIGA’s signature pink. Purple was added for its neutrality and sophistication.

Our refreshed look reflects Baltimore’s pride while preparing us for the future. Our chapter continues to be a resource for designers at all levels, offering workshops, networking events, competitions, and portfolio reviews.

The new identity embodies Baltimore’s creativity, pride, and resilience while setting the stage for future growth.

Conclusion

AIGA Baltimore cherishes our chapter’s dedication to inclusivity. This rebrand isn’t only about aesthetics. We aim to create a space where designers feel both empowered and supported.

We’re excited to continue our legacy of fostering a thriving creative community in Charm City!

Five computer mockup that highlights the evolution of AIGA Baltimore websites starting from the early 2000's, all the way to 2025.

Women Working in Design: Cultivating Growth, Resilience, and Renewal

On Friday, November 21, AIGA Baltimore hosted Women Working in Design, a sold-out panel discussion, held at SPARK Coworking in downtown Baltimore. The evening centered on candid conversations with women creatives about what it means to work, lead, and create in today’s design landscape. Panelists and moderators included:

Olivia Moore — Designer & AIGA Baltimore President

Genesis Smith — Environmental Designer & Freelancer

Jade Mcdonnell — Designer & Videographer

Mimi Blanchard — Motion Designer & Brand Strategist

Samantha Frost — Designer & Entrepreneur

Rachel McFadden, PE — Web Developer & Entrepreneur

 

As a woman in design myself, helping to organize an event like this meant so much to me. It created space for women who have quietly weathered the challenges of being taken seriously as creative leaders and thinkers. It offered a stage where we could speak openly about the reality many of us know well. The feeling of working twice as hard just to be allowed in the room. Yet despite these barriers, each of us has forged our own path, built our own success, and strengthened our love for design.

For attendees, especially students and early-career designers, the panel served as both an emotional release and a source of inspiration. Seeing multiple women chart their paths in the industry provided visible proof that there are many ways forward in a field that can often feel difficult to break into.

A panel photo of (from left to right) Samantha Frost, Rachel McFadden, and Jade Mcdonnell

Behind the Branding

Floral imagery graphic of the Women Working In Design event.

The event’s promotional design extended these themes. Social media posts and the digital poster displayed behind the panelists featured floral imagery, a deliberate choice rooted in the symbolism of growth, resilience, and renewal. Growth takes time, but flowers are a force of nature when nurtured. The brand design communicated this message visually, reinforcing the purpose of the panel before a single word was spoken.

 

Design for Social Change

During the Q&A, an attendee asked a poignant question: “What are each of you doing to combat the government’s push against women’s rights? As designers, how are you standing up against those forces?”

It was a reminder that when women’s autonomy and voices are being contested, design is not just aesthetic. Design for social change becomes an organizing tool. Through visual communication, designers shape how movements speak, how messages spread, and how communities unite. When used with intention, design becomes a collective force that can strengthen advocacy, build networks, and help people see themselves as part of something bigger.

 

A Heartfelt Thank You

By hosting in-person events like Women Working in Design, AIGA Baltimore and our local partners are working to nurture that collective strength. These gatherings inspire hope, combat burnout, and remind our creative community that none of us have to navigate the industry alone.

A heartfelt thank-you to SPARK Coworking for opening their doors and supporting this important dialogue. Together, we’re planting seeds of connection and creativity.

Visual Identity That Works: Why Exceptional Graphic Design Is a Catalyst for Business Growth

In a world increasingly shaped by digital impressions and visual storytelling, great design is no longer optional; it’s essential. From the moment a customer encounters your brand, whether online or in print, their perception is shaped by what they see. That’s where professional graphic design steps in. It’s not just about making things look good; it’s about creating a visual language that reflects your brand’s purpose, communicates clearly, and builds trust. When done well, graphic design becomes a tool for connection, storytelling, and long-term success. Let’s explore how thoughtful, expertly crafted visuals can give your business the edge it needs.

Visual Storytelling That Speaks for Your Brand

Every brand has a unique story, and the right visuals can bring that narrative to life in compelling ways. Through colors, layout, typeface choices, and imagery, a professional designer can capture and express the essence of your business. Want to convey dependability? Cool, muted tones and clean lines might do the trick. Looking to promote energy and creativity? Vibrant color palettes and bold typography can help tell that tale.

Design elements such as custom icons, consistent brand motifs, and unique illustration styles can reinforce your identity and values across various platforms. When integrated thoughtfully, visuals do more than support your brand—they become your brand. Consider using packaging design, annual reports, or web page layouts to weave in these visual narratives. Even something as simple as a banner or email header can carry your message if crafted with intentionality.

Elevating Marketing Campaigns with Smart Visual Design

Marketing is where most brands first meet potential customers, so visual presentation needs to be on point. But successful marketing design is more than a pretty layout. It’s about guiding the viewer’s attention and encouraging action. A skilled designer creates layouts that draw the eye, support your message, and make your call-to-action pop.

Professional marketing materials, whether physical handouts or digital promos, work best when they’re clean, focused, and aligned with your brand identity. Design choices such as selective color use, deliberate spacing, and layered hierarchy help maintain clarity while adding sophistication. A common yet effective approach is to incorporate interactive elements in digital formats, such as scannable QR codes or clickable content in email campaigns. For printed materials, finishes like soft-touch lamination or spot UV can add tactile interest, ensuring your materials leave a strong impression.

Reinforcing Your Digital Presence with Design Consistency

Online, attention spans are short and competition is fierce. Your brand needs to capture attention in seconds, and design consistency is key. From your homepage to your Instagram feed, maintaining a uniform visual tone builds recognition and trust. A professionally designed suite of templates—tailored for web, social media, and mobile—allows you to keep content fresh while staying on-brand.

Another increasingly popular method to stand out online is incorporating interactive features into your website and digital ads. These might include hover animations, scroll-triggered effects, or micro-animations that guide users through your site in a more dynamic way. Additionally, strong visual design improves accessibility, ensuring that your brand communicates clearly with all users.

Gaining a Competitive Advantage with Original Design

In crowded industries, original, memorable design can be your greatest differentiator. High-quality graphics signal professionalism and intention, which directly influences how your brand is perceived. Whether it’s through an unexpected visual motif or a minimalistic approach that cuts through the noise, distinct design can elevate your presence above the competition.

One approach gaining traction is adaptive branding—where design elements evolve subtly across different platforms, seasonal campaigns, or niche audiences, while maintaining the core identity. This makes your brand feel dynamic and relevant without losing consistency. Another great tactic is incorporating user-generated content into branded visuals, creating a sense of community and authenticity around your business.

Keeping Your Brand Assets Alive with Adobe Express

While working with a professional designer lays the foundation for strong branding, Adobe Express offers a practical way for businesses to extend and manage their brand day to day. This platform is designed to make ongoing content creation fast, consistent, and accessible—no design background required. Here’s how Adobe Express can complement your professional design work:

Graphic design isn’t just decoration; it’s a powerful communication tool that shapes perception, builds loyalty, and moves your business forward. By investing in professional visuals and leveraging tools like Adobe Express to keep things consistent and fresh, businesses can maintain a strong, engaging brand across every touchpoint. Great design speaks volumes before a single word is said. Make sure what it’s saying reflects the heart of your brand.

Ready to connect with the region’s creative community? Join AIGA Baltimore and grow your network, skills, and impact alongside fellow designers shaping the future of design.”

Passing the Torch

It feels like only yesterday that I had moved up to Baltimore and was just another fresh face at one of our chapter’s round-table events. Fast forward four years, and I’m closing out my two-year term as President. Our chapter has intentionally short terms, and mandates that presidents roll off the board after two years, because we believe that the chapter belongs to you, our members. We are a board of 100% volunteers, driven by a passion for design and innovation, and a desire to serve our community.

Two years ago, my goals were for our chapter were to expand on our solid foundation by growing our community involvement: 1) with the national AIGA organization and our other chapters, 2) with the broad Baltimore community, and 3) with the Baltimore creative community. I’m proud that our amazing team went above and beyond, and achieved some significant outcomes:

Expanded programming types and times
After redesigning our recurring events and offering Saturday morning events, we saw a spike in new event attendees. Last year our chapter put on 22 events, drawing more than 700 attendees across the greater Baltimore area. Design Week alone drew more than 400 people to nine events over the course of the week, 23% more than in 2015.

Getting involved in Baltimore neighborhoods
We also got involved in the Druid Heights neighborhood, leading a rebranding project for the Druid Heights Community Development Corporation. Check out their new branding on their website here: druidheights.com

Funding for two grant projects
In 2016, we were awarded two Innovate grants from AIGA to develop national resources for design entrepreneurship and design policy. We were able to develop these platforms due to the generosity and partnership of our amazing friends at Orange Element and Foxtrot Media: PolicyDesigned.com and YouLaunchIt.org.

Collaborating with other creatives
AIGA Baltimore co-founded the Creative Minds Crew, a team of leaders from six other creative organizations in the city: B’more Creatives, AAF Baltimore, AMA Baltimore, the Production Club of Baltimore, Girl Develop It, and the Society for History and Graphics. Together, we planned and co-hosted the inaugural Creative Mixtape networking event, bringing more than 250 professionals together.

Leading at the national level
I’m also delighted to share that AIGA Baltimore will host the national AIGA leadership retreat in 2018 – an honor that will bring leaders from AIGA’s 72 chapters across the country to convene here in Baltimore, to inspire and learn from each other, and chart the course for our field and our organization.

I’m thrilled to leave the board’s leadership in Joseph Carter Brown’s capable hands. Joe has been a rock for our chapter in his roles as programming director and vice president. He is also one of the most dedicated, visionary people I know, and he genuinely and deeply cares about this organization and the people in it. I know that under his leadership, the board will listen to the needs of the design community and the Baltimore community, to drive initiatives with impact.

Thank you to all the board members and volunteers who make this work possible. Thank you to the organizations who have partnered with us, the attendees who have learned with us, and the members who support our advocacy for design as a strategic business initiative and vital cultural force.

I am so exceptionally proud of everything the board has collectively achieved over the past two years, and I am honored to have had the opportunity to serve you as president. I am also so excited to see what AIGA Baltimore does next.

Thank you.

I’m writing this in an airplane, flying back to Baltimore from the AIGA National Leadership Retreat, listening to the new At The Drive-In album; with a heart full of love and eyes full of tears I reflect on the impact that AIGA has had on my life, and career. As I enter this journey as the president of the Baltimore chapter the only thing I can think is, “How can I provide this feeling to every member of our community?”

So here’s what I’ll say to you, I will literally give you the shirt off my back, I will literally lift you on my shoulders to help you project your voice, I will be your pin cushion and support system, because I know the power that we have as a unified community. I know the impact design can have and I want to see you at the forefront of changing the world. The funny thing is, when I joined this organization none of the above was in my head, heart, or hand, but having spent the past 4/5 years around this amazing community, I see the platform that AIGA has provided to every person that chooses to get involved. So as I begin my term as president, I want you to know that we have your back, we care, and we want to see you succeed. I hope you will join with me on this journey. Thank you.

One more thing, I want to give a special thank you to every person that has helped me along this path. I was going to list you all individually, but then I realized that this letter would extend another 14 pages because there are so many of you. So I will just say thank you, I cherish this challenge, and I am excited to bring my passion to the forefront. Let’s continue to FSU.

Letter of Introduction from Vanessa Ulrich, Incoming President

I am incredibly excited to officially begin my first term as President of AIGA Baltimore this summer, replacing the leadership of our amazing outgoing Co-Presidents, Jennifer Marin and Stacey Fatica.

I’ve worked with Jen and Stacey for two and a half years since I joined the board in February 2013 as Visibility Director. In that role, I connected with other organizations in the Baltimore community to build relationships, collaborate on events and create awareness and understanding for AIGA Baltimore’s goals. I’m so inspired every day by all the people who make Baltimore a creative, innovative, and fabulously quirky city.

As incoming President, my goal is to promote the value of design and design professions while continuing to strengthen the chapter’s programming and community involvement. Under Jennifer and Stacey’s leadership over the past two years, AIGA Baltimore produced more than 60 amazing events to bring education and inspiration to the Baltimore design community. In 2013, Design Week was also recognized officially by the state. I seek to continue to strengthen this legacy.

Assisting me in achieving this goal is a board powered 100% by volunteer AIGA members. Each one has a specific area of focus, and each brings a diversity of thought, talent and passion to the board.

Education
Gary Rozanc, Education Director
Vivianna Bermudez, Education Chair

Gary and Vivianna led a highly successful Ink & Pixels student portfolio review conference this past April. They are currently planning next year’s annual conference, and are working to develop new ways to engage with AIGA Baltimore’s student groups.

Programming
Joseph Anthony Brown, Programming Director
Jermaine Bell, Programming Chair
Kerry Korrer, Social Design Chair

Joe and Jermaine are leading the planning for Design Week 2015, all while working to execute several special events as well as our regular monthly Blend and Converse events. Kerry leads social design programming, and she’s got a few key initiatives she’s gearing up for.

Communications
Kate Lawless, Communications Director
Meredith Burke, Web Chair

Spearheading our outreach online via email and our website are Kate and Meredith. They also manage a committee of dedicated communication volunteers who assist with our blog, social media, and other communications needs.

Membership
Chad Miller, Membership Chair

The newest member of our board, Chad, will cultivate AIGA Baltimore’s relationship with you, our members, encouraging you throughout the year to engage with us, give feedback, and add your voice to our initiatives.

I am honored to lead and work with such an amazing team. But nothing we do would be possible without a strong community of people passionate enough to volunteer their time to this effort—people who volunteer to speak at events, offer up their spaces for us to use, review portfolios and serve on committees. There are so many people who have helped make AIGA Baltimore what it is today. A two-year term is not a long time, and I hope we can continue to carry that torch and serve the evolving needs of our chapter’s membership and the Baltimore design community as a whole.

I look forward to a great two years serving as your new chapter president.
Thank you,
Vanessa Ulrich

Board Spotlight: Kara Turner

Kara Turner, AIGA Baltimore’s Communications Director and all-around Renaissance woman, grew up on Maryland’s Eastern Shore. She was a varsity lacrosse player in high school (“the only girl on the team”) and, between games, she acted in plays. After a few years of freelance work in Manhattan and Daytona Beach, she returned to Maryland to focus on a professional career in communications and media.

Since we’re shining the Spotlight on Kara this month, we wanted to find out what makes her tick. She says she’s has always thrived when thrown into challenging situations and prefers to work on multiple projects at a time.

“I love the process that goes into creating,” she tells us, “It could be an event I’ve organized for work or a character I’m playing on stage but I just like creating things. I like to see the results of something I’ve done that’s had a lot of hard work put into it. But I also strive to get a reaction from people.”

She’s looking forward to our upcoming events and the opportunities to network with other designers.

“Design is powerful,” she says, “Great design has the ability to add order to our lives. It can express humor. It can make people think. It can make people safer and can teach others. The design of a space, or the lack of, affects the way people feel and the way people act.”

Kara lives in Annapolis but knows her way around Charm City, seeing shows at CenterStage, having drinks in Fell’s Point, and performing in the local theatres. Since we at AIGA Baltimore are always thinking of new symbols to replace the crab, we asked her if she had any ideas. She suggests a purple and orange foam #1 finger then changes her mind.

“Baltimore has so many fantastic outdoor events,” she says, “Artscape, Sowebo, the Greek Folk and Ukraine festivals. So, I’d say a good symbol for the city would be a festival tent.” She also tells us that everyone should experience being out on a rooftop deck in Pigtown on the Fourth of July.

“There’s the view of the fireworks, of course, but you can also see all the distant ones from other towns all around you. Then, you see hundreds of car headlights creep around the highways and hear the mass of people leaving the Harbor.”

Board Spotlight: Michelle Fazenbaker

From a young age, growing up in the small town of Grantsville, MD, Michelle had a strong desire to have a career in the arts. She overcame opposition (a career counselor advised her that she had no aptitude for the arts and would be better suited as a secretary), followed her dream, and studied Mass Communications at Towson University. She went on to earn a Masters in Publication Design from The University of Baltimore.

Since graduating she has enjoyed a long career in marketing and advertising with companies including Erickson Communities, Constellation Energy and, now Millennium Marketing Solutions, where Michelle has served as an Art Director for over five years.

AIGA Baltimore’s Board gives Michelle great opportunities to meet new people and support AIGA’s mission to advocate for the use of good design. When Michelle is not working,  she enjoys painting, playing pool on her APA billiards team and, spending time with friends and family. If you’re looking to make quick friends with Michelle, consider serving her a scoop of Ben & Jerry’s Everything But the Kitchen Sink ice cream (her favorite flavor), or a glass of Captain & Diet (it’s never made her sick, so she swears by it).

And, as for her favorite font, it’s American Typewriter, a highly under-appreciated font that offers variety and many styles. For Michelle, when used with a purpose, it can bring great impact to a design.

Board Spotlight: Vanessa Vichayakul

Although Vanessa Vichayakul grew up in Montgomery County, she lived in Thailand for six years. She speaks Thai and French, and her two favorite cities in the world (so far), are Paris and Istanbul. Vanessa loves to travel and see how other people live their lives. And, when she has time, she enjoys reading, writing, cooking, and yoga.

Vanessa is tuned into the local design community and says the opportunities to meet people are great. Even though she’s currently employed full-time as a Public Relations Coordinator with TEKsystems, she’s met a bunch of people she’s been able to learn from. Her networking skills are put to great use through her position as Visibility Director on the board.

Outside of her 9-to-5, Vanessa also freelances as a marketing and brand strategist, with some copywriting and graphic design projects thrown in there, too. She picked up graphic design while getting her M.A. in Design Management and fostered a love for organizing a conceptual message into a visual format. “Design is problem solving,” she says, “So you work within constraints and for a purpose.”

When asked about her thoughts about the AIGA Baltimore board, she says, “They’re such a fabulous group of people, and, even though some of us are new, we really work together as a great team.”

We asked her to name her favorite “must see” spot in Baltimore. “Though it’s in plenty of guidebooks, I’ve grown fond of Fort McHenry. It’s so peaceful.” And her drink of choice?

“Before 5pm, it’s a whole milk cappuccino,” she says, “But after 5pm, it’s a good Malbec.”

Board Spotlight: Marisa Martin

Meet Marisa! She’s definitely the most energetic person you’ll meet today (or this month), so you know we’re super-lucky to have her as our Membership Director.

Born in Kansas and raised in New Jersey, Marisa found herself in Baltimore for college. She started out as a bio/psych major, pursuing her need to figure out how and what makes people tick. As a kid, she constantly doodled in notebooks but never thought much of it…but by her senior year, she’d found her calling in graphic design and had fallen in love with Charm City.

Ask her what she loves about design and she’ll say it’s all about the people.

“I love being able to connect with others through my work,” she says. “From designing a website to a printed piece, translating ideas into words and images, and then communicating with others through that end result, is the ultimate thrill for me.”

Marisa’s love of design and being social translates well to her role on the board. “Being on the board is great because I get to be part of a solid community of designers. I want to help change the perception of designers within society. Designers should be strategists and leaders who shape the world and make it a better place to be, not just people who simply make pretty things. With the local and national support of AIGA, I think we can do that!”

On the list of her many influences, Marisa has found both inspiration and comfort in a letter written by Jean-Paul Sartre. In this letter he writes, “There may be more beautiful times, but this one is ours. And let’s do it with everything.” It serves as a reminder be true to herself⏤to grab life by the horns and make the most out of it. She says, “You may not be in your ideal situation, but you have the power to work your way there!”

When Marisa isn’t designing, playing field hockey or jamming to music, she dreams of traveling. “I want to go everywhere and see everything. There’s no place not on my list to visit. I want to learn what makes other people tick and how they work, think and react.” Marisa’s favorite part about traveling: putting herself in someone else’s shoes and understanding how they live.

And if she had to create an ice cream flavor that captured the spirit of Charm City, she’d serve up a scoop of steamed crab Old Bay ice cream in a Berger cookie cone!