Board Member Spotlight

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Like most boards, the AIGA Baltimore board is comprised of 100% volunteers. So you can get to know the board and recognize some faces at our events, we are featuring board members. Today’s post focuses on Kristin Sinclair our Communications Director!

Q. Tell us a little about yourself.
A. I was born in Connecticut and grew up in Columbia, Md. I loved being outside and thought when cows ate grass, I thought it would taste like spaghetti! I moved to Baltimore four years ago, to different parts of the city. Hampden for a year, Fells Point for a year, and Fed Hill for a few years. I currently don’t live in the city because of location of the company I art direct for. They specialize in direct mail and fundraising. I like that we work with different nonprofits to help them achieve their goals for raising money for a specific cause. I like that I design for a good cause.

For fun I volunteer with Taproot Foundation to help nonprofit organizations directly with different design solutions. I want to get back into martial arts. I also enjoy spending time with my boyfriend and my dog. I like wandering around shops for antiques because it’s an amazing feeling to see design through generations.

Q. What do you love about design?
A. I love the tactile aspect of it. Design has such an important purpose; everything is designed from magazine, to a product, to a conversation. The fact that we are empowered to shape and design experiences for people is amazing. I love the feeling that we are translating ideas and messages for audiences to help people easily understand messages. You are basically saying this is how you should communicate to your audience; it’s almost like playing G-D.

Q. What do you like about being on the AIGA Baltimore board?
A. I like that I can connect to the Baltimore community. I get to meet people like me and network with people I wouldn’t normally meet otherwise. I like being on a board with people who have similar passions, but who think differently. Everyone seems to inspire others to do a better job and inspire me to do more.

Q. Name a must-see spot in Baltimore that you wouldn’t find in a travel guidebook.
A. The must see is under 29th street bridge. It’s a space where people can go paint and create different styles of street art over layers of previous street art. I think it’s a good place to see graffiti evolve because it’s an area that is mostly untouched. I recommend wearing long pants and closed toed shoes. When you go, you can see where other artists have respected other artist’s space.

Q. If you could travel anywhere, where would it be?
A. Japan, because I have a love for Japanese culture. The respect they have for their own culture and keeping traditions is inspiring. I have loved the culture since I was a kid taking Ninjitsu. There is such a calming effect for me when experiencing their art, culture, food, etc. As a designer, I am inspired by their precise work ethic.

Q. Favorite drink of choice?
A. Tom Collins: Gin, sour mix, club soda and a cherry in a tall glass. When I used to go to Sonar, I would order it, and the bartender would tell me “You are 50 because it’s an old man drink.” It actually makes me like it more!

Student Membership Sale is back!

Student Membership Sale

All students can join AIGA or renew for only $50 between February 1-20.

AIGA continues its commitment to increasing student involvement in the design community by giving students the opportunity to join and renew online during February for only $50! The drive will occur between February 1-20th. Don’t miss out on this great chance to save some cash. Even recent graduates can get in on the savings!

Details and Requirements

  • The drive will occur between February 1-20th.
  • Online only! Paper applications will not be accepted during this drive.
  • Students can join and renew online at my.aiga.org for just $50.
  • Faculty advisers should add the students that join online to the student group roster.

JOIN NOW for access and incredible discounts!

Show off your skills!

Call for entries! (for students only)

AIGA Baltimore is requesting design submissions for a poster to promote Ink / Pixels 2012, a design conference for students. Deadline is February 20th.

Required Content
Ink / Pixels 2012
AIGA Baltimore’s design conference for students

Have your portfolio reviewed
Listen to awesome professionals
And get a chance to speak your mind, PechaKucha style

Saturday, April 21

AIGA student members $10
Non-members $25

Visit baltimore.aiga.org/events for more information and to register!

Please also include the AIGA Baltimore logo (download logo here) somewhere on the design. You can change the color and size of the logo. You cannot crop, skew or distort it. The logo must be at least 3.5 inches wide.

Technical Specifications

  • Size: 12 x 18 inches, portrait orientation
  • Bleed: 0.125 inches
  • Color: 4-color maximum
  • One-sided printing
  • If using raster graphics, the resolution must be 300 dpi.
  • Please keep all fonts editable (meaning do not outline or rasterize).
  • All imagery must be of your own creation. Do not use any images downloaded from the Internet or other resources.

Note about Fonts
Please use only OpenType fonts or fonts that are Mac compatible and make sure to include them with your design file. We may need to update the text on the poster design because we are still finalizing some details about the conference at the time of this competition.

What to Submit
Submit your original InDesign, Photoshop or Illustrator file. Please include all links and fonts needed for the design to display and print properly. Submissions missing files will not be considered.

How to Submit
All submissions are due by 11:59pm, February 20th.
Entries received after the deadline will not be considered.

  1. Zip your files into one single zip file.
  2. Post the zip file to https://wetransfer.com (It’s free!).
  3. Enter studentposter@baltimore.aiga.org as the friend’s email address.
  4. Enter your email address.
  5. In the message box, include your name, email address, phone number and school you attend.
  6. Click on Transfer.

The winner of the competition will be announced after February 27 on our blog.

Eligibility
You must be an AIGA student member to submit.

Award
The winning design will be distributed to schools in the Baltimore area. The designer will receive one free entrance to the conference, 10 copies of the printed poster and a $50 iTunes gift card.

Questions?
Please email alissa@baltimore.aiga.org if you have any questions.

Open-Call for Board Applications

As we have mentioned in recent months, the AIGA Baltimore Board has been in a period of transition. We have revised the structure of the board, which has created several new positions. If you have ever wanted to play a greater role in the design community, now is your chance.

Being on the board is more than just a resume builder, it is your opportunity to have an impact in the Baltimore design community. By being on the board for the AIGA Baltimore Chapter, you are joining a group of dedicated professionals who are supportive of each board members’ initiatives. These positions are new, so the descriptions are just a starting point. Should you accept a position, we would want to work with you to help define the role further. If any of these positions interest you, please click the button below to download the application packet.

Open Positions

  • Education & Professional Development Director
  • Social Design Director
  • Print Publications Chair
  • Digital Publications Chair
  • Web Chair
  • Membership Chair
  • Sponsorship Chair
  • Networking Chair
  • Converse Chair

We are looking forward to this new exciting year. Please contact us if you have any questions about the open positions.

Best Regards,
Alissa Jones
, President
Brian Ghiloni
, Vice President

Download the Application Packet

On the move!

We're moving!

Over the last two years, some of you may have passed by our office space within Engine Performance on N. Charles Street. We’ve decided to move out and go sans office in the interest of cutting costs and putting those funds back toward programming for you.

Visit our website for ways to reach us, and thank you to our board for all of their hard work this weekend!

some board members on move out day
Sean Heavey, Wing Pokrywka, Alissa Jones

Welcome to a year of exciting new changes!

As we mentioned recently, the board for AIGA Baltimore has undergone some changes, and we’d like to take the opportunity to introduce ourselves.

photo of Alissa JonesAlissa Jones, President
I grew up loving the feel of paper and the smell of ink. Instead of sending me to summer camp, my mother would buy me art supplies; so graphic design was a natural fit. I’ve worked in educational design, broadcast design, branding and even spent some time as an English teacher in Japan. I’m a freelance graphic designer and adjunct instructor for Stevenson University and Anne Arundel Community College. This is my sixth year living in Baltimore and third year serving on the AIGA Baltimore board.

photo of Brian GhiloniBrian Ghiloni, Vice President
Although I’m originally from New Hampshire, I’ve called Baltimore home for the past 15 years. I’m Senior Designer and Partner at Locust Grove Studios, a design firm specializing in special event and exhibit design. Together with my partner Joe Karlik, we’ve worked with a diverse client base ranging from some of the most prominent companies in the world, to governmental and non-profit organizations. Throughout the year, I split my time between Baltimore and Maryland’s upper eastern shore where our studio is situated in a restored, 1860s one-room schoolhouse. This will be my fourth year serving on the board for AIGA Baltimore.

What to expect next
In the interest of maintaining an open dialogue with our members, we have revised our method of electing board members. In the upcoming months, please look out for a request from the AIGA Baltimore chapter for our members to review and approve our proposed new board.

We are looking forward to this new exciting year. Please contact us to share your ideas of how the AIGA Baltimore chapter can continue to serve your needs to grow your career in the world of design.

Best regards,
Alissa Jones and Brian Ghiloni

Changes for AIGA Baltimore

There is a philosophy that an organization can only be as strong as its leader. Thankfully for the past three years, AIGA Baltimore has been fortunate to have a president who was dedicated to the best interests of our organization. Regrettably though, Chapter President, Christopher Jones, decided to step down at the end of August. During his tenure, he developed a dedicated team of board members, helped grow the membership of our chapter in a challenging economy and push forward multiple initiatives like the e-newsletter, blog and the printed newsletter, as well as coordinate a phenomenal speaker series including Jim Sherraden, House Industries, Design Army, Debbie Millman, and Steven Heller just to name a few.

Additionally, we’d like to thank four other board members whose terms have ended in the recent months: Beth Lacey Gill, Lindsay Story, Heather Joines and Elisa Watson. These individuals have donated countless hours to the chapter that can never be repaid. Please join us in thanking them for everything they have done.

It’s been said, “Change is the only constant in life.” As designers, our contribution has traditionally been the development of identities, collateral and websites. Designers are no longer content to be limited to these roles. To continue AIGA Baltimore’s legacy of service to our design community, the board is committed to furthering discussions about the role of design and the potentially larger impact it can have. With this new initiative, we hope to engage in important social issues in a deeper way than ever before. Please welcome our new Chapter President, Alissa Jones (no relation), and new Vice President, Brian Ghiloni who are excited to facilitate this larger conversation.

Moreover, AIGA Baltimore has several great changes planned for this fall and beyond:

  • Blends: Our monthly happy hours will now be the first week of every month and include informational sessions on specific topics of interest for designers.
  • Critique Hash: You loved it when we ran it last spring, so we are bringing it back on a regular basis. The third Saturday of every other month, starting this October, will be your chance to receive feedback on in-progress work and your portfolio from fellow designers.
  • Converse: We know how important it is to hear from leaders on design, so starting in November, the third Thursday of every other month, you can hear a variety of opinions on current hot topics at our roundtable sessions.
  • Pulp, Ink, and Hops: AIGA Baltimore has made the difficult decision that it is time to retire this event, and instead, we are going to focus on supporting AIGA’s new initiative for Design for Good. You can learn more about this initiative from the Executive Director of AIGA, Ric Grefé’s interview with Fast Company.
  • Communications: AIGA Baltimore is going to continue to improve our communications with members and other organizations throughout our region. Through building relationships, we plan to bring a greater variety of events and programs and help increase the value of design within the community.

If you have any questions, suggestions, or an interest in volunteering, please contact us! We always love hearing from our members. Lastly, don’t forget to check out our upcoming events.

Felt & Wire call for designers!

Felt & Wire Graphic

Ever want to design without a client?

Do you love to play with paper?

Now is your chance to to design products for the AIGA Baltimore Felt & Wire shop. Visit http://feltandwireshop.com for inspiration. You can pretty much make anything you would like as long it uses paper goods in some way and is something customers would want to purchase.

When you have the design ready (We are happy to review anything in progress too), email alissa@baltimore.aiga.org an image of it and also provide the following information:

  1. Quantity you are willing to make (can be as little as 1)
  2. Your production costs (You can either donate the items to the chapter or AIGA Baltimore can compensate you for your production costs. We will need receipts of these costs when applicable).
  3. Any other information you think might be helpful.

If your item is approved, we will post it on the AIGA Baltimore Felt & Wire shop along with a credit to you. All proceeds from sales will go towards future events and initiatives for AIGA Baltimore.

This will be an ongoing opportunity, however, if you would like your work to be included in the official launch, please submit work before October 1.

Types of products that could be submitted

  • note cards
  • gift wrap
  • journals
  • sketch books
  • posters
  • prints
  • artist books
  • buttons
  • and anything else you can come up with that involves paper!

If you have questions, email alissa@baltimore.aiga.org.

You can do it!

The economy will always have its ups and downs, but graphic designers can still find their way. Here are some tips for the new graduates for 2010.

Time to make lemonade.
When you are given lemons, make lemonade. Finding a job right now isn’t easy for anyone right now, but it is a little harder for graphic designers than for some other fields because graphic design is usually one of the first industries to see cutbacks.

In February, I was laid off. I saw the industry I was in changing and design was becoming less and less important, so luckily I was expecting the layoff, and I was already feeling like it was time for a change. So I embraced my layoff and am now successfully freelancing and will most likely take this time to get my MFA. Graphic designers are lucky in that we have the option to freelance, where other professions don’t have that luxury.

Advertise.
No matter how wonderful you are, employers won’t be pounding on your door, so shout to the world online and in-person that you are looking for a design job. They do exist, but a lot of jobs are filled before a job post is even published.

I am a freelance graphic designer, and the majority of the work I have been getting is from me telling people that I was available, not from answering job postings.

Interviewing is a lot like dating.
You set up a meeting (the date). You converse to find out if you like each other, and then you go home and anxiously wait by the phone or check your email waiting for THE call. Chances are you will have to go to many interviews before you find a job that is a good match for you and the employer.

When I have a meeting with a potential client, I prepare. I look up the person and organization I will be meeting with. I select what I think will be the best designs to present, and I think about what questions might be asked of me. After the meeting, I evaluate what I could have done better. View each interview as practice and revise your answers and your portfolio constantly. Even if you feel the interview went great, try to not let it bother you if you don’t get the job. Move forward and look for something else.

You are not a rock star (yet).
You have worked hard for four long years and your professors rave about you, but you need to remember you are just beginning. There is actually still a lot for you to learn. And guess what? Once you learn it, it will change.

When I finished my Bachelor’s degree from SCAD, no one was thinking about being sustainable, designing for good, Web 2.0, iPhone/iPad apps or the design revolution in Asia. Over the years, I have continued to need to learn new things in graphic design, and I expect that will always be necessary.

Develop a thick skin.
Your portfolio review may be tough to hear today. Being a designer, you need to be able to take criticism daily. Your art director, your client, your client’s boss, everyone is going to have their opinion. It is your responsibility to educate these people on the design choices you made, but ultimately, you might sometimes be asked to make changes you don’t like.

When I work with clients, I not only want to provide them a design that I think is fabulous, but even more so, I want them to love it because in the end, they are paying me for my services.

It may not be perfect.
Don’t expect your first job to be the perfect design job. You have many years in the future to find that perfect job and quite frankly, your vision of the perfect job will change and evolve, so even if you find a perfect job now, it won’t be your perfect job in the future.

My first job was for CNN Headline News. I loved it…for the first few months. Then I realized I was doing the same job some people there had been doing for the past eight years. I realized if I wanted to continue to grow and develop in my field, I would need to find ways either in my job or outside of my job to keep myself current. For your first job, look for an employer you think you can learn from. Maybe there is someone that can be a mentor, or maybe you will be exposed new technology.

Value your work.
There are many people out there that want design services for free or for cheap. Make sure you are getting paid what you are worth. There will always be someone out there who will work for less than you. You need to explain to your clients or the employer what else you provide besides good design.

When I meet with clients for the first time, I find out what their needs are, show them my work, explain how I could help them, but I also describe to them the process. This way the client can understand all the work that goes into making a logo and why it will cost a lot more than $50. You need to do the same at interviews. Don’t assume they read your resume. You need to tell them why you will be the best person to hire.

There is still hope.
So, I am sorry to say, it won’t be easy to find a job in design. It is a competitive environment, but take this as a challenge and do all you can to make yourself stand out. Take time to write individual cover letters, tweak the wording of your resume for each job application, and bring the best and most appropriate pieces to your interviews. When you do find a job, you probably won’t love it all the time, but as with all jobs you should be able to learn something. Listen to your boss and your clients and try to find a good solution to the design that can make everyone happy, and lastly, love what you do.

Good luck to the class of 2010!