Open-Call for Board Applications

As we have mentioned in recent months, the AIGA Baltimore Board has been in a period of transition. We have revised the structure of the board, which has created several new positions. If you have ever wanted to play a greater role in the design community, now is your chance.

Being on the board is more than just a resume builder, it is your opportunity to have an impact in the Baltimore design community. By being on the board for the AIGA Baltimore Chapter, you are joining a group of dedicated professionals who are supportive of each board members’ initiatives. These positions are new, so the descriptions are just a starting point. Should you accept a position, we would want to work with you to help define the role further. If any of these positions interest you, please click the button below to download the application packet.

Open Positions

  • Education & Professional Development Director
  • Social Design Director
  • Print Publications Chair
  • Digital Publications Chair
  • Web Chair
  • Membership Chair
  • Sponsorship Chair
  • Networking Chair
  • Converse Chair

We are looking forward to this new exciting year. Please contact us if you have any questions about the open positions.

Best Regards,
Alissa Jones
, President
Brian Ghiloni
, Vice President

Download the Application Packet

On the move!

We're moving!

Over the last two years, some of you may have passed by our office space within Engine Performance on N. Charles Street. We’ve decided to move out and go sans office in the interest of cutting costs and putting those funds back toward programming for you.

Visit our website for ways to reach us, and thank you to our board for all of their hard work this weekend!

some board members on move out day
Sean Heavey, Wing Pokrywka, Alissa Jones

Welcome to a year of exciting new changes!

As we mentioned recently, the board for AIGA Baltimore has undergone some changes, and we’d like to take the opportunity to introduce ourselves.

photo of Alissa JonesAlissa Jones, President
I grew up loving the feel of paper and the smell of ink. Instead of sending me to summer camp, my mother would buy me art supplies; so graphic design was a natural fit. I’ve worked in educational design, broadcast design, branding and even spent some time as an English teacher in Japan. I’m a freelance graphic designer and adjunct instructor for Stevenson University and Anne Arundel Community College. This is my sixth year living in Baltimore and third year serving on the AIGA Baltimore board.

photo of Brian GhiloniBrian Ghiloni, Vice President
Although I’m originally from New Hampshire, I’ve called Baltimore home for the past 15 years. I’m Senior Designer and Partner at Locust Grove Studios, a design firm specializing in special event and exhibit design. Together with my partner Joe Karlik, we’ve worked with a diverse client base ranging from some of the most prominent companies in the world, to governmental and non-profit organizations. Throughout the year, I split my time between Baltimore and Maryland’s upper eastern shore where our studio is situated in a restored, 1860s one-room schoolhouse. This will be my fourth year serving on the board for AIGA Baltimore.

What to expect next
In the interest of maintaining an open dialogue with our members, we have revised our method of electing board members. In the upcoming months, please look out for a request from the AIGA Baltimore chapter for our members to review and approve our proposed new board.

We are looking forward to this new exciting year. Please contact us to share your ideas of how the AIGA Baltimore chapter can continue to serve your needs to grow your career in the world of design.

Best regards,
Alissa Jones and Brian Ghiloni

Changes for AIGA Baltimore

There is a philosophy that an organization can only be as strong as its leader. Thankfully for the past three years, AIGA Baltimore has been fortunate to have a president who was dedicated to the best interests of our organization. Regrettably though, Chapter President, Christopher Jones, decided to step down at the end of August. During his tenure, he developed a dedicated team of board members, helped grow the membership of our chapter in a challenging economy and push forward multiple initiatives like the e-newsletter, blog and the printed newsletter, as well as coordinate a phenomenal speaker series including Jim Sherraden, House Industries, Design Army, Debbie Millman, and Steven Heller just to name a few.

Additionally, we’d like to thank four other board members whose terms have ended in the recent months: Beth Lacey Gill, Lindsay Story, Heather Joines and Elisa Watson. These individuals have donated countless hours to the chapter that can never be repaid. Please join us in thanking them for everything they have done.

It’s been said, “Change is the only constant in life.” As designers, our contribution has traditionally been the development of identities, collateral and websites. Designers are no longer content to be limited to these roles. To continue AIGA Baltimore’s legacy of service to our design community, the board is committed to furthering discussions about the role of design and the potentially larger impact it can have. With this new initiative, we hope to engage in important social issues in a deeper way than ever before. Please welcome our new Chapter President, Alissa Jones (no relation), and new Vice President, Brian Ghiloni who are excited to facilitate this larger conversation.

Moreover, AIGA Baltimore has several great changes planned for this fall and beyond:

  • Blends: Our monthly happy hours will now be the first week of every month and include informational sessions on specific topics of interest for designers.
  • Critique Hash: You loved it when we ran it last spring, so we are bringing it back on a regular basis. The third Saturday of every other month, starting this October, will be your chance to receive feedback on in-progress work and your portfolio from fellow designers.
  • Converse: We know how important it is to hear from leaders on design, so starting in November, the third Thursday of every other month, you can hear a variety of opinions on current hot topics at our roundtable sessions.
  • Pulp, Ink, and Hops: AIGA Baltimore has made the difficult decision that it is time to retire this event, and instead, we are going to focus on supporting AIGA’s new initiative for Design for Good. You can learn more about this initiative from the Executive Director of AIGA, Ric Grefé’s interview with Fast Company.
  • Communications: AIGA Baltimore is going to continue to improve our communications with members and other organizations throughout our region. Through building relationships, we plan to bring a greater variety of events and programs and help increase the value of design within the community.

If you have any questions, suggestions, or an interest in volunteering, please contact us! We always love hearing from our members. Lastly, don’t forget to check out our upcoming events.

Felt & Wire call for designers!

Felt & Wire Graphic

Ever want to design without a client?

Do you love to play with paper?

Now is your chance to to design products for the AIGA Baltimore Felt & Wire shop. Visit http://feltandwireshop.com for inspiration. You can pretty much make anything you would like as long it uses paper goods in some way and is something customers would want to purchase.

When you have the design ready (We are happy to review anything in progress too), email alissa@baltimore.aiga.org an image of it and also provide the following information:

  1. Quantity you are willing to make (can be as little as 1)
  2. Your production costs (You can either donate the items to the chapter or AIGA Baltimore can compensate you for your production costs. We will need receipts of these costs when applicable).
  3. Any other information you think might be helpful.

If your item is approved, we will post it on the AIGA Baltimore Felt & Wire shop along with a credit to you. All proceeds from sales will go towards future events and initiatives for AIGA Baltimore.

This will be an ongoing opportunity, however, if you would like your work to be included in the official launch, please submit work before October 1.

Types of products that could be submitted

  • note cards
  • gift wrap
  • journals
  • sketch books
  • posters
  • prints
  • artist books
  • buttons
  • and anything else you can come up with that involves paper!

If you have questions, email alissa@baltimore.aiga.org.

You can do it!

The economy will always have its ups and downs, but graphic designers can still find their way. Here are some tips for the new graduates for 2010.

Time to make lemonade.
When you are given lemons, make lemonade. Finding a job right now isn’t easy for anyone right now, but it is a little harder for graphic designers than for some other fields because graphic design is usually one of the first industries to see cutbacks.

In February, I was laid off. I saw the industry I was in changing and design was becoming less and less important, so luckily I was expecting the layoff, and I was already feeling like it was time for a change. So I embraced my layoff and am now successfully freelancing and will most likely take this time to get my MFA. Graphic designers are lucky in that we have the option to freelance, where other professions don’t have that luxury.

Advertise.
No matter how wonderful you are, employers won’t be pounding on your door, so shout to the world online and in-person that you are looking for a design job. They do exist, but a lot of jobs are filled before a job post is even published.

I am a freelance graphic designer, and the majority of the work I have been getting is from me telling people that I was available, not from answering job postings.

Interviewing is a lot like dating.
You set up a meeting (the date). You converse to find out if you like each other, and then you go home and anxiously wait by the phone or check your email waiting for THE call. Chances are you will have to go to many interviews before you find a job that is a good match for you and the employer.

When I have a meeting with a potential client, I prepare. I look up the person and organization I will be meeting with. I select what I think will be the best designs to present, and I think about what questions might be asked of me. After the meeting, I evaluate what I could have done better. View each interview as practice and revise your answers and your portfolio constantly. Even if you feel the interview went great, try to not let it bother you if you don’t get the job. Move forward and look for something else.

You are not a rock star (yet).
You have worked hard for four long years and your professors rave about you, but you need to remember you are just beginning. There is actually still a lot for you to learn. And guess what? Once you learn it, it will change.

When I finished my Bachelor’s degree from SCAD, no one was thinking about being sustainable, designing for good, Web 2.0, iPhone/iPad apps or the design revolution in Asia. Over the years, I have continued to need to learn new things in graphic design, and I expect that will always be necessary.

Develop a thick skin.
Your portfolio review may be tough to hear today. Being a designer, you need to be able to take criticism daily. Your art director, your client, your client’s boss, everyone is going to have their opinion. It is your responsibility to educate these people on the design choices you made, but ultimately, you might sometimes be asked to make changes you don’t like.

When I work with clients, I not only want to provide them a design that I think is fabulous, but even more so, I want them to love it because in the end, they are paying me for my services.

It may not be perfect.
Don’t expect your first job to be the perfect design job. You have many years in the future to find that perfect job and quite frankly, your vision of the perfect job will change and evolve, so even if you find a perfect job now, it won’t be your perfect job in the future.

My first job was for CNN Headline News. I loved it…for the first few months. Then I realized I was doing the same job some people there had been doing for the past eight years. I realized if I wanted to continue to grow and develop in my field, I would need to find ways either in my job or outside of my job to keep myself current. For your first job, look for an employer you think you can learn from. Maybe there is someone that can be a mentor, or maybe you will be exposed new technology.

Value your work.
There are many people out there that want design services for free or for cheap. Make sure you are getting paid what you are worth. There will always be someone out there who will work for less than you. You need to explain to your clients or the employer what else you provide besides good design.

When I meet with clients for the first time, I find out what their needs are, show them my work, explain how I could help them, but I also describe to them the process. This way the client can understand all the work that goes into making a logo and why it will cost a lot more than $50. You need to do the same at interviews. Don’t assume they read your resume. You need to tell them why you will be the best person to hire.

There is still hope.
So, I am sorry to say, it won’t be easy to find a job in design. It is a competitive environment, but take this as a challenge and do all you can to make yourself stand out. Take time to write individual cover letters, tweak the wording of your resume for each job application, and bring the best and most appropriate pieces to your interviews. When you do find a job, you probably won’t love it all the time, but as with all jobs you should be able to learn something. Listen to your boss and your clients and try to find a good solution to the design that can make everyone happy, and lastly, love what you do.

Good luck to the class of 2010!

Recent Profile of Baltimore Design Work …

(c) Greg Bennett, Work to Date
(c) Greg Bennett, Work to Date

http://www.underconsideration.com/fpo/archives/2010/03/aiga-pulp-ink-and-hops-poster.php

(more images there…)

FPO (For Print Only) recently profiled the 2009 AIGA Baltimore Pulp Ink & Hops poster designed by Greg Bennett. The article reads: “Paper and beer. Together. Whoever came up with this idea is a genius. For the past 12 years, the AIGABaltimore chapter has been hosting “Pulp, Ink & Hops,” an event that brings together two of designers’ main pleasures in the form of dozens of paper vendors and free hops from a local brewery. Again, genius.”

Genius… Tell us something we didn’t know. Greg’s work accomplished the goal of taking design out of the pedestrian and launching it into the spectacular. …And we thank him for that. …And you can join in too: look up his work on the behance website, the online portfolio engine for AIGA members, and give him a pat on the back conveniently located as an appreciation. Like so: http://www.behance.net/Gallery/AIGA-Pulp-Ink-and-Hops-Poster/454239

Shout out for the good work!!!

Thanks again to Greg Bennett and Work to Date.

Notes …

We got an email today correcting copy on the AIGA Baltimore website.

It read, “I am a post grad design student. My first degree was not in English. This morning I took a brief look at your home page and read the paragraph below. I was shocked. Please give your copy writer a guide to grammar and punctuation. Flaws speak louder than perfection, don’t have this represent AIGA Baltimore.

“As part of our effort to increase reach, increase conversation about design and all things good in that respect, AIGA Baltimore will be developing a blog about Baltimore, AIGA, AIGA Baltimore, design and issues in the industry and if you read the legalese we wont be limited to that. (We need someone to actually write the legalese, by the way.) Anyway one guarantee for continued notes and news is to keep the conversation going back and forth. Let us know what you think (“that was terrible”) or good thoughts and post ideas are welcome as well…”

As the author of that copy, I responded and corrected the copy to “As part of our effort to increase reach, increase design conversation, AIGA Baltimore has started a blog. The blog is available at www.aigabaltimore.wordpress.com. Let us know what you think (“that was terrible”) or good thoughts and post ideas are welcome as well…”

Thanks for the correction. Keep it up.

To the comments, I’ll mention that while I blog for AIGA Baltimore and work on its behalf, the notion that my comments, writing or design skills represent the members or its contents is definitely a stretch. I barely represent the things I said twenty minutes ago. Once I had a writing instructor who said I couldn’t write at all. the next semester, I had an instructor who said I was a great writer. They’re both right. I’ll also defend the imperfect, for it’s substance if not it’s imperfection.

Baltimore Chapter Highlighted On The AIGA Charlotte Blog:

http://www.aigacharlotte.org/blog/post/87
See The Actual Post…

Here’s What We Said:
AIGA Baltimore
Number of Members: 382
Year Founded: 1989

1. What is your Chapter’s most proud recent accomplishment?
Our Pulp Ink and Hops event last year was a success, even in this economy, bringing approximately 20 design vendors and hundreds of designers together to review the latest and greatest in designer’s tools from printers and paper samples to job resources and design information. Photos available here.

2. Tell us about your Chapter’s Mentorship Program.
Our chapter recently worked on the Create don’t Hate mentorship program which brought together members of the design community and schoolkids to create messages about stopping the ongoing violence. The program involved approximately 20 mentors and two schools here. In the mentorship timeline the mentor groups developed 24 billboards of which seven have been chosen to be displayed around town. We feel promoting this message was a particularly important endeavor in which to undertake given the problems of gun violence in the country and especially in Baltimore, which has had a particularly high murder rate due to the influx of drug culture and the large numbers of youth who do not have or do not take opportunities to become gainfully employed.

3. Tell us about your Chapter’s student programming.
Currently, we offer two portfolio reviews a year, one small and one larger, for students. We also offer studio tours to various locations — including printers and design firms located in the Baltimore area.

4. Tell us how your Chapter uses social media.
We use Facebook to connect with the AIGA Baltimore universe, as well as, Twitter and LinkedIn. We have also started a blog that feeds to our website. These avenues have helped us stay connected with members, as well as, deliver relevant content to them in ways that, based on traffic numbers, they value.

5. What type of food is Baltimore famous for and where can we get some?
The crabcake is the delicacy of choice in Baltimore. While there are plenty of places in Baltimore to go for crabcakes, I’d suggest Faidley’s in Lexington Market. A number of reasons play into that. The scene is a covered marketplace with a nod to its past with stalls, a buzz of activity, the din of talking and the blue-collar working man’s spirit of Baltimore. Baltimore’s Inner Harbor which is famous with the tourists represents the slice of the city that you’d see in its Sunday’s Best. Don’t we all want to know a city when it has on its play clothes?