New Look. Same Mission: Why We Updated Our Brand

We introduced AIGA Baltimore’s pink-oriented branding in 2016 (reference). The Baltimore chapter has served the design community for 36 years, but the impact of design has shifted drastically over the past decade.

Why We Refreshed the Brand

The design industry has changed significantly, including the segmentation of design as a discipline. The COVID-19 pandemic also heightened the importance of health, wellness, and job satisfaction. At the same time, diversity, inclusion, and belonging have become central conversations in the creative industry.

AIGA Baltimore is a safe space for creatives to express themselves and connect meaningfully, beyond being a nonprofit organization. With this shift in purpose and perspective, the previous brand no longer reflected who we are.

Community Feedback

To lay the groundwork, we gathered feedback from both members and non-members. A public survey offered invaluable insights, and the overwhelming response became the foundation of the rebrand.

“…it’s a waste of money.”
“I have failed to see myself represented on the board or in the events.”

“AIGA hasn’t been able to establish a relationship with creatives of color. Whether intentional or not, I think it speaks volumes.”

We asked hard questions during internal discussions:

  • What do members gain from joining?
  • Are the benefits clear and useful?
  • Does our organization appeal to both beginning and seasoned designers?

Highlighting the Community

Baltimore is known for its restaurants, museums, and tourist attractions, earning its nickname “Charm City.” It’s also a place that embraces both its grit and its cultured environment, combining a small-town feel with strong urban roots.

As Maryland’s sole AIGA chapter, we wanted to capture this character in our brand. Our rebrand committee settled on the phrase “Unapologetically Urban” to reflect Baltimore’s bold and authentic spirit. This theme became the guiding principle for the new branding direction.

Creative Exploration

We began by drafting a mood board inspired by street culture, experimental typography, and bold colors. These elements capture the essence of Baltimore’s creative community.

After using the same color palette for eight years, we expanded beyond AIGA’s signature pink. Purple was added for its neutrality and sophistication.

Our refreshed look reflects Baltimore’s pride while preparing us for the future. Our chapter continues to be a resource for designers at all levels, offering workshops, networking events, competitions, and portfolio reviews.

The new identity embodies Baltimore’s creativity, pride, and resilience while setting the stage for future growth.

Conclusion

AIGA Baltimore cherishes our chapter’s dedication to inclusivity. This rebrand isn’t only about aesthetics. We aim to create a space where designers feel both empowered and supported.

We’re excited to continue our legacy of fostering a thriving creative community in Charm City!

Women Working in Design: Cultivating Growth, Resilience, and Renewal

On Friday, November 21, AIGA Baltimore hosted Women Working in Design, a sold-out panel discussion, held at SPARK Coworking in downtown Baltimore. The evening centered on candid conversations with women creatives about what it means to work, lead, and create in today’s design landscape. Panelists and moderators included:

Olivia Moore — Designer & AIGA Baltimore President

Genesis Smith — Environmental Designer & Freelancer

Jade Mcdonnell — Designer & Videographer

Mimi Blanchard — Motion Designer & Brand Strategist

Samantha Frost — Designer & Entrepreneur

Rachel McFadden, PE — Web Developer & Entrepreneur

 

As a woman in design myself, helping to organize an event like this meant so much to me. It created space for women who have quietly weathered the challenges of being taken seriously as creative leaders and thinkers. It offered a stage where we could speak openly about the reality many of us know well. The feeling of working twice as hard just to be allowed in the room. Yet despite these barriers, each of us has forged our own path, built our own success, and strengthened our love for design.

For attendees, especially students and early-career designers, the panel served as both an emotional release and a source of inspiration. Seeing multiple women chart their paths in the industry provided visible proof that there are many ways forward in a field that can often feel difficult to break into.

A panel photo of (from left to right) Samantha Frost, Rachel McFadden, and Jade Mcdonnell

Behind the Branding

Floral imagery graphic of the Women Working In Design event.

The event’s promotional design extended these themes. Social media posts and the digital poster displayed behind the panelists featured floral imagery, a deliberate choice rooted in the symbolism of growth, resilience, and renewal. Growth takes time, but flowers are a force of nature when nurtured. The brand design communicated this message visually, reinforcing the purpose of the panel before a single word was spoken.

 

Design for Social Change

During the Q&A, an attendee asked a poignant question: “What are each of you doing to combat the government’s push against women’s rights? As designers, how are you standing up against those forces?”

It was a reminder that when women’s autonomy and voices are being contested, design is not just aesthetic. Design for social change becomes an organizing tool. Through visual communication, designers shape how movements speak, how messages spread, and how communities unite. When used with intention, design becomes a collective force that can strengthen advocacy, build networks, and help people see themselves as part of something bigger.

 

A Heartfelt Thank You

By hosting in-person events like Women Working in Design, AIGA Baltimore and our local partners are working to nurture that collective strength. These gatherings inspire hope, combat burnout, and remind our creative community that none of us have to navigate the industry alone.

A heartfelt thank-you to SPARK Coworking for opening their doors and supporting this important dialogue. Together, we’re planting seeds of connection and creativity.

Visual Identity That Works: Why Exceptional Graphic Design Is a Catalyst for Business Growth

In a world increasingly shaped by digital impressions and visual storytelling, great design is no longer optional; it’s essential. From the moment a customer encounters your brand, whether online or in print, their perception is shaped by what they see. That’s where professional graphic design steps in. It’s not just about making things look good; it’s about creating a visual language that reflects your brand’s purpose, communicates clearly, and builds trust. When done well, graphic design becomes a tool for connection, storytelling, and long-term success. Let’s explore how thoughtful, expertly crafted visuals can give your business the edge it needs.

Visual Storytelling That Speaks for Your Brand

Every brand has a unique story, and the right visuals can bring that narrative to life in compelling ways. Through colors, layout, typeface choices, and imagery, a professional designer can capture and express the essence of your business. Want to convey dependability? Cool, muted tones and clean lines might do the trick. Looking to promote energy and creativity? Vibrant color palettes and bold typography can help tell that tale.

Design elements such as custom icons, consistent brand motifs, and unique illustration styles can reinforce your identity and values across various platforms. When integrated thoughtfully, visuals do more than support your brand—they become your brand. Consider using packaging design, annual reports, or web page layouts to weave in these visual narratives. Even something as simple as a banner or email header can carry your message if crafted with intentionality.

Elevating Marketing Campaigns with Smart Visual Design

Marketing is where most brands first meet potential customers, so visual presentation needs to be on point. But successful marketing design is more than a pretty layout. It’s about guiding the viewer’s attention and encouraging action. A skilled designer creates layouts that draw the eye, support your message, and make your call-to-action pop.

Professional marketing materials, whether physical handouts or digital promos, work best when they’re clean, focused, and aligned with your brand identity. Design choices such as selective color use, deliberate spacing, and layered hierarchy help maintain clarity while adding sophistication. A common yet effective approach is to incorporate interactive elements in digital formats, such as scannable QR codes or clickable content in email campaigns. For printed materials, finishes like soft-touch lamination or spot UV can add tactile interest, ensuring your materials leave a strong impression.

Reinforcing Your Digital Presence with Design Consistency

Online, attention spans are short and competition is fierce. Your brand needs to capture attention in seconds, and design consistency is key. From your homepage to your Instagram feed, maintaining a uniform visual tone builds recognition and trust. A professionally designed suite of templates—tailored for web, social media, and mobile—allows you to keep content fresh while staying on-brand.

Another increasingly popular method to stand out online is incorporating interactive features into your website and digital ads. These might include hover animations, scroll-triggered effects, or micro-animations that guide users through your site in a more dynamic way. Additionally, strong visual design improves accessibility, ensuring that your brand communicates clearly with all users.

Gaining a Competitive Advantage with Original Design

In crowded industries, original, memorable design can be your greatest differentiator. High-quality graphics signal professionalism and intention, which directly influences how your brand is perceived. Whether it’s through an unexpected visual motif or a minimalistic approach that cuts through the noise, distinct design can elevate your presence above the competition.

One approach gaining traction is adaptive branding—where design elements evolve subtly across different platforms, seasonal campaigns, or niche audiences, while maintaining the core identity. This makes your brand feel dynamic and relevant without losing consistency. Another great tactic is incorporating user-generated content into branded visuals, creating a sense of community and authenticity around your business.

Keeping Your Brand Assets Alive with Adobe Express

While working with a professional designer lays the foundation for strong branding, Adobe Express offers a practical way for businesses to extend and manage their brand day to day. This platform is designed to make ongoing content creation fast, consistent, and accessible—no design background required. Here’s how Adobe Express can complement your professional design work:

Graphic design isn’t just decoration; it’s a powerful communication tool that shapes perception, builds loyalty, and moves your business forward. By investing in professional visuals and leveraging tools like Adobe Express to keep things consistent and fresh, businesses can maintain a strong, engaging brand across every touchpoint. Great design speaks volumes before a single word is said. Make sure what it’s saying reflects the heart of your brand.

Ready to connect with the region’s creative community? Join AIGA Baltimore and grow your network, skills, and impact alongside fellow designers shaping the future of design.”

Behind the Branding: How Design Month 2022 Came to Life

Each year for Baltimore Design Month (and previously Design Week), the AIGA Baltimore board selects a local partner to collaborate with in creating a brand that encompasses the theme for the year.

This year, we reached out to longtime community member, portfolio reviewer, designer and illustrator Emilee Beeson and the team at Mindgrub. Their enthusiasm and creativity made the process as smooth as a perfect bezier curve, and we couldn’t be happier with the results! So, to give you a peek behind the scenes, we asked Emilee to share more about the process.

timelapse of sketching design tools as characters

Q: Can you tell us a bit about yourself?
A: I have been a designer and illustrator in Baltimore for about 10 years. I am currently an Art Director at Mindgrub where I design mobile apps, websites, advertising, and everything in between.

I also have a passion for printmaking, art, and illustration. A lot of the work I do on my own time is themed around video games, tv, movies, and other pop culture. I am always inspired by the weird and wonderful things that come out of those mediums.

Q: What made you excited to be a part of Design Month 2022?
A: When I first got involved with AIGA Baltimore it was circa 2012. I was on the reviewee side of the Ink&Pixels table and I won the branding competition for the event. We now know that design competitions are problematic but at the time I was over the moon about seeing my design on a real poster (and the iTunes giftcard!). I’ve grown as a designer through this chapter so it’s special to design the branding for one of their keystone events 10 years later. This time, with the time and resource support from Mindgrub, Creative Director, Meagan Petri and our SVP of Strategy & Design, Ben Slavin!

Q: What was the inspiration and goal of this year’s Design Month branding?
A: There is a good chance other creatives are feeling a lot like I have these past few years. It’s been hard to find the energy to be creative and get back into the communities we had before the pandemic. I wanted this year’s branding to be bright, playful, and optimistic. One of our favorite buzz word phrases here at Mindgrub is “creating moments of delight.” While we usually use this phrase in relation to micro interactions I think looking a bezier pen in the eyes as he taps his little feet is delightful. Hopefully delightful enough to make people smile and remind them to come out to an event!

Q: How did you approach this event branding project and what was your design process?
A: I often start with the technical requirements as guardrails. In this case I knew that scalability and flexibility were key as this branding would be applied to many different sizes and spaces over the course of a couple months. I also wanted this year’s theme “designing life” to come through. The character illustrations checked all of those boxes and had great potential for motion design and event swag. Once they were finished everything came together really easily.

This sketch is what started it all but I decided touching eyeballs was a little too weird. You have to know when to dial it back.
pencil on paper sketch of a laptop and character with bulging eyeballs

Q: Can you describe your inspiration and any challenges you came across them while designing the branding?
A: I am always inspired by ephemera from the 80s. You can definitely see influence from 80’s puffy stickers in this branding. I am also really inspired by maximalist designs that feel a little ugly and aggressive. There is always that little voice that worries about criticism by committing to something so loud. But to me, being forgettable and underwhelming is a far worse fate.

wide image of the many design elements and deliverables included in the design month branding

Q: What are your typical process steps? Do they differ from the work you did for AIGA Baltimore?
A: Designing for other designers is always different than a typical client project. It’s a chance to be a little more out-of-the-box than what a normal client might allow. Presenting a wild idea and having everyone be on board with it doesn’t happen everyday!

Q: Could you explain an exciting Mindgrub project completely unrelated to AIGA?
A: We launched a mobile application for a major utility company called LG&E, KU and ODP. It’s always a good feeling when you start a project and everyone at the (virtual) table is an expert in their own right. Collaborating with designers, directors, scrum masters, product owners, and developers to create a massive tool that is actually useful to people is incredible. The app looks great and more importantly, works flawlessly.

Designing something flashy for a cool design event is easy. But playing a small role on a big team that is working together to make something beautiful and functional is something to really be proud of! Read the Case Study

Meet the Designers Behind the Ink & Pixels Branding 2022

Ink & Pixels is coming up at the end of April! Save the dates for the virtual panel, “From Portfolio to Offer: The Art of Getting Hired” on April 23rd and the in-person portfolio reviews on April 30th. This year, the branding for Ink & Pixels was designed by Jamie Wheeler of Jelly Creative Co. (@jellycreativeco) and Jess Langley of White Coffee Creative (@whitecoffeecreativeco).

Can you tell us about yourself? What’s your story?

Jamie — My go-to line is, “I’ve been getting paid to design for almost 15 years.” It started with a high school internship, a design degree from York College of PA, various design jobs, a few years teaching, and now I own Jelly Creative Co. A branding and design studio for the creatively ambitious. I also like lava lamps, Nutella, my dog Nova, reading fiction, and playing board games with my husband. When I’m working towards a deadline you’ll find 90’s hits or EDM blasting on my Spotify.

Jess — My story has been full of lessons and ups and downs. In college, I landed my first design-related job as a Store Artist at Whole Foods. I learned lettering, how to work with others, and built up my confidence. That led to my first internship turned design job after graduating with a BFA in Graphic Design from Towson University. After being laid off from there in June 2017, I decided I was done with the typical 9-5 culture and went out on my own. I started White Coffee Creative and haven’t looked back since! My services, style, branding, and who I like to work with have changed drastically since then but I’m so grateful for the journey. I started coaching creatives in 2020 and now am learning to balance the two businesses with ease. When I’m not working, you can find me sipping coffee (obviously, with extra cream and sugar), bingeing Netflix shows, hiking with my 2 pups and partner, or dreaming about having a cabin in the woods.

How did you meet and start working together?

Jess had been running her business for two years when I DM’d her on Instagram asking if we could meet for coffee and talk shop. We met up at Spoons for breakfast and just clicked! She was my first local design/business owner friend and a huge supporter as I went full-time with my company in 2019. Community is really important to us both so when I brought the idea of a group for local designers to Jess she was on board to help start the Facebook group, Baltimore Graphic Designers, which now has 300 members! We have worked on local branding projects together, drank lots of local coffee, sent countless voice messages, and continue to cheer each other on. After Ink & Pixels, we’re excited to see what design mischief we can get into next!

How did you approach this branding project and what was your design process?

We were inspired by the juxtaposition of ink (organic) and pixels (geometric). We started with basic shapes within the AIGA color palette, then using only these shapes we started creating icons that can be used in various ways. The final touch is the wavy lines that intersect with the shapes and icons to create movement and bring everything together.

Having a stark black background allows the colorful elements to be brought to life and grab your attention while scrolling on Instagram or walking by on campus.

The fonts are designed by our friend Alex of The Routine Creative, a Texas-based designer. The jackknife font just felt too perfect not to highlight!

Can you describe your inspiration and any challenges you came across them while designing the branding?

If we had been working solo, there may have been more challenges, but we were able to pass the files back and forth when one of us was feeling stuck creatively. We have worked on branding projects together so we hopped right back into a nice groove. When we say it was a fun project, we really mean it!

What’s your favorite part about designing branding?

Jamie — Like any large design project there are the peaks and valleys, I think the moments right after the valleys are my favorite. I think all designers have the thoughts of “this is never going to work, what am I doing” but it’s the “oh yeah, this is it!” that I’m always chasing.

Jess — I love pulling visual inspiration and using strategy and color psychology to tie in meaning. It’s always a fun challenge to create branding that visually captures the essence of a business while maintaining simplicity. So that beginning exciting energy and the finale of when it’s all done and ready to show the world are my favorite parts.

Was there an aha moment when you knew you wanted to be a designer?

Jamie — Why yes, yes there was. It was when I photoshopped Ashton Kutcher into my homecoming photo and posted it to my Myspace. Technically, that’s when I opened the world to design, but the moment I learned it was an actual career and a college major I knew that was the path I was taking.

Jess — Yes! In college, I dabbled in a few different majors—journalism, photography, general fine arts, and design. I vividly remember one of my college professors (shoutout to Carolyn Norton!) in an Intro to Design class telling me I was already a designer. Getting that recognition and encouragement made me feel ready to step into this direction as a designer full-heartedly, and I got accepted into the GD program at Towson that following semester!

In the long term, what do you hope to eventually accomplish as a designer? What is your biggest goal/dream as a creative?

Jamie — This question is making me realize how much I have accomplished as a designer already, which is really cool. My dream client at the moment would be to work with a performing arts company. Lately, I’ve been searching for ways to bring all my talents and interests together while also helping other designers and keepin’ it real. A huge dream of mine was to host a retreat for designers, which is happening this spring, so I’m too sure what’s next!

Jess — I’m really enjoying running my own studio. I love being a multi-faceted creative offering design, murals, AND coaching. I hope to continue to navigate balancing a variety of tasks, projects, and clients while continuing to reinvent myself and where I want to go next. My big dreamy goal right now is to speak on stage at a creative conference one day about intentionally finding that balance as a business owner while having the freedom to explore a variety of creative outlets.

Thank you to Jamie and Jess for sharing their stories! We cannot thank you both enough for creating the branding for this year’s Ink & Pixels. Make sure to follow them on their various social channels!

White Coffee Creative
Designer + Muralist
whitecoffeecreative.com | @whitecoffeecreativeco

The Colorful Jess
Mindset + Pricing Coach
thecolorfuljess.com | @thecolorfuljess

Jamie Wheeler
Owner + Creative Director
jellycreativeco.com | Instagram | Facebook

Meet the Designer: Paige Olsen | Ink & Pixels 2021

Have you seen the branding for this year’s Ink & Pixels on social media, our website, or the emails? The branding, patterns, and images were created by Stevenson University Alumna, Paige Olsen. We interviewed Paige recently to learn more about her process and her story.

Can you tell us about yourself? What’s your story?

I recently graduated with a degree in Visual Communication Design and am currently working as a Freelance Graphic Designer. In this role, I am designing promotional assets, visual identities, and graphic art according to client specifications.

In addition to my love for design, I have a love for fitness. I approach design similarly to how I approach fitness. Fitness requires a consistent effort to progress and a desire to persevere. I’m looking for an opportunity to take the next step in my Design career and am hoping to do so by merging both of my passions with a focus on graphic design in the fitness industry.

How did you approach this branding project and what was your design process? Can you describe your inspiration and any challenges you came across them while designing the branding?

My first step in approaching the branding project started by really understanding AIGA’s brand (goals and vision) and allowing the ideas to come to me. This general information led me to a better understanding of where the brand is vs. where they want to go. I continued my research by identifying the audience, as well as, reviewing past events/similar portfolio events in the area. Knowing what has previously been done allowed me to differentiate Ink and Pixels 2021 from what currently exists.

The number one strategy I used that inspired the brand’s identity was a Word Association list. I generated keywords associated with the main goals of the event, instead of pulling all of my inspiration from the title of the event, “Ink and Pixels”. The strategy led me to 4 main keywords that represent the event (Network, Continue (to learn), Connect, and Progress). I developed these keywords into icons to visually communicate the value of the event. By integrating these keywords directly, it is easy to understand what the event offers. The icons are also designed into an abstract pattern to reinforce this idea.

The main idea behind the visual identity is to show that even with different audiences (Students, Design Professionals, Speakers), they all have a common goal at Ink and Pixels (connecting, growing, and coming together). One challenge I faced along the way is the abstract pattern itself. The style I was attempting was new to me and needed to be designed heavily off of a grid. I overcame the obstacle by studying patterns that were also designed from a grid to understand how I can create my own.

What’s your favorite part about designing branding?

My favorite part about designing branding is turning my ideas into reality. I love the process of creating something impactful and memorable in the world that once wasn’t there.

Was there an aha moment when you knew you wanted to be a designer?

My journey as a designer is very different from what you would normally expect. I did not know anything about Graphic Design and wasn’t exposed to the idea until my senior year of High School when I enrolled in a Computer Graphics course. When growing up, I always had a love for art, but I never knew this would be the path I would take.

What led me to be a designer is that I felt as if it fit my personality. I am known for being driven and diligent. I enjoy challenging myself and in design, you need to constantly challenge yourself out of your comfort zone. Design is a challenge for me and that is what drew me to it. I have a willingness to always learn and progress. I believe consistent, disciplined action beats natural talent and that’s the approach I take in all aspects of my design work.

In the long term, what do you hope to eventually accomplish as a designer? What is your biggest goal/dream as a creative?

In the long term, I see myself further developing my skill set to create recognizable and noteworthy work at a reputable studio/company. I desire to evoke emotion and to bring the unexpected to the target audience of my designs. My end goal is to have a positive impact through the messaging of my designs while offering a high level of creativity.

Thank you, Paige Olsen, for sharing your story! We cannot thank you enough for creating the branding for this year’s Ink & Pixels. Make sure to give Paige a follow on her Behance portfolio page and on LinkedIn!

Design & Dine Recap: Debbie Millman’s Perspective on Social Media & Personal Branding

Thanks to Kelly Strine for writing this blog post!

The 8th annual AIGA Baltimore Design Week kicked off with a special Design & Dine with the legendary Debbie Millman on Friday, October 11, 2019, at Topside’s beautiful Garden Room. Founder and host of the Design Matters Podcast, Debbie has interviewed over 500 artists, designers, and industry experts. This special Design & Dine was no lecture. Instead, it was Debbie’s signature conversational interview style with 30 of Baltimore’s industry professionals. Had it been recorded, it could’ve been the next episode of Design Matters.

The casual discussion explored how we portray our lives on social media and in our own personal branding. Debbie has “very, very strong feelings about people as brands,” and why we sometimes hide the truth––or downright lie––in the social media versions of our lives.

Personal Branding

Debbie has studied the evolution of branding, and how we’ve grown with it, for the past 17 years. At its core, branding is about mark-making and building consensus around that mark. Through quality and consistency, shared views and opinions regarding products and services can be accomplished.

If we fast-forward through the history of corporate branding, we come to a more recent phenomenon: personal branding. Personal branding is the practice of marketing people and their careers as brands, with an intentional effort to influence public perception. Sound familiar in the design industry where everyone wants to position themselves a certain way in the marketplace?

Photography Credits: Bryan Burke
Photography Credits: Bryan Burke

Humans are Messy

As Debbie so bluntly put it, “Humans are messy.” We have a lot of feelings. But brands don’t have that kind of depth. Sure, brands can evolve, but brands are rooted in consistency. If humans run the emotional gamut and can reinvent themselves, but brands are built on consistency, can personal brands be successful? Can consensus be built?

From a technology standpoint, we’re living in an ever-connected environment. We’re always just a tap, click, or voice command away from whatever we need. Yet we’re oddly disconnected in our interpersonal relationships. Why? Isn’t social media supposed to make us feel more connected?

Our Online Personas

In many cases, people use social media as a highlight reel. We share what we are proud of and the happy moments and hide what we are ashamed of. That’s natural, right? But if you’re only seeing the highlights of other people’s lives, it’s much easier to feel left-behind or alone in your own life. The things that we don’t share tend to be the things that build a better connection with others.

For those of us who maintain a personal brand, Debbie challenged us to consider how social media impacts our branding. If we hide certain aspects of our lives to position ourselves a particular way, we start to pull away from our authentic selves. We start to create an online persona who is our ideal selves, but ultimately this can lead us to feel even more disconnected from ourselves and others.

Photography Credits: Krystal Carpintieri
Photography Credits: Krystal Carpintieri

How do we combat the disconnect? Here are a few ideas:

  1. Digital minimalism: More and more people are disconnecting from social media to live their lives IRL (in real life). Taking a break from social media or ditching it altogether is one way to reconnect and build better relationships with others.
  2. Be authentic: Rather than showing only the highlights, show your authentic self—challenges and all. People connect with honesty. But the key is to help; not commiserate. If you’re going through a difficult time, chances are someone else is going through it too. Share resources or seek support, rather than just complain.
  3. Set an intention: Ask yourself, why am I posting this? Am I looking for self-validation? Sympathy? Is it a humble brag? Being honest about why you’re posting sends a clear message to your audience. Did you land your dream client after working your tail off on the pitch? Yeah, I’ll celebrate that win with you. But do I care about your “picky” client? Nah, I don’t need your negativity.
Photography Credits: Bryan Burke
Photography Credits: Bryan Burke

Social Branding

As Debbie notes, branding is always evolving. The most recent anomaly is social branding, which is marketing for social change. Social branding projects, such as the Me Too Movement and Black Lives Matter, are designed to change a culture. So, whereas personal branding fails at the individual level due to the complexity of human emotions, social branding succeeds due to the social change people can rally around. Social branding builds consensus.

Continue the Conversation

Where do you stand on personal branding? Is your personal brand a true brand in that it builds consensus, or is it more of a brand identifier to set you apart in the marketplace? Do you tend to hide the truth on social media in hopes of creating an ideal online persona? Share your thoughts in the comments below, we want to hear from you!

About the Speaker:
Debbie Millman
Twitter & Instagram: @debbiemillman

Named “one of the most creative people in business” by Fast Company, and “one of the most influential designers working today” by Graphic Design USA, Debbie Millman is also an author, educator, curator and host of the podcast Design Matters.

Behind Design Week 2018’s Branding; A Discussion With idfive

AIGA Baltimore was thrilled when local Baltimore design studio idfive agreed to be our Branding Sponsor for Design Week 2018.

Since 2013, we have reached out to a local design agency to partner with us and bring Design Week alive visually. Past partners have included Fastspot, Orange Element, Gilah Press + Design, Eye Byte Solutions, and Exit10.

This year, we want to bring you behind the scenes with our Branding Sponsor, idfive, to learn more about their inspiration for this year’s branding for Design Week, their work outside of AIGA Baltimore, and what their company is all about!
design week baltimore

What was the inspiration for idfive’s Design Week Branding?

I wanted to take this creative opportunity to address what I think is the central issue in Baltimore – the “two Baltimores” – by attempting to build a visual system that would unify, represent, and complete the “feel” of Baltimore. I thought about the disparate ways our City has been represented visually – a sort of mishmash of the old (cobblestones and gas lamps), the new (modernist/brutalist architecture), and the forgotten (formstone, Waters-esque camp, The Wire).

I kept getting hung up on was the source of many of our current divisions – the 1937 Federal Home Owners’ Loan Corporation (HOLC) “redlining” map. So I suggested to our designer Heather that we re-use, re-purpose, and “break” shapes and forms from that tragically unjust document as a way to acknowledge our City’s past and represent its current divisions, while still looking with hope toward a more unified future.

The tagline was a natural extension of this visual theme, tied back to design.

What were the steps involved in creating the branding?

We divided a volunteer squad of six creative team members in to three teams of two (a copywriter and a designer), hashed out rough concepts separately, and came together under the guidance of Courtney Glancy to critique and tweak.

I can’t speak to the other teams’ processes, but for me and Heather, beers, dinner, and doodles on some cocktail napkins in Hampden were all it really took to come together on concepting. Heather and I have complementary strengths and work together well. I’m very analytically minded and always try to zoom out to process everything on the level of overarching themes and concepts, and she lives in the nitty-gritty of the execution phase where she’s amazing at expanding and exploring concepts within a consistent visual language.

aiga baltimore design week branding idfive

What was the inspiration for being a part of Design Week 2018?

Courtney asked us, “wanna do it?” And we said “hell yes!”

What was the goal of the Design Week branding?

Try to answer the questions:
“What is Baltimore design?”
“What should Baltimore design be?”
“How can we represent Baltimore in a way that feels like Baltimore?”

AIGA Baltimore Design Week 2018 logo by idfive

Could you explain an exciting idfive project completely unrelated to AIGA?

We’re currently redesigning the website for Maryland Food Bank, which distributes 37 million meals every year to people in Maryland. You can’t ask for a more inspiring client than that. As a copywriter, any time you find yourself shedding tears while you’re writing, you know you’re on the right track. Whoever’s reading this should donate.

What are your typical process steps? Do they differ from the work you did for AIGA?

Usually I start with a task list item, then go back and research the brand or the industry until I find an angle of entry, then organize my thoughts into buckets, and execute. I typically think slow and work fast. The process for AIGA was similar, but since the task wasn’t laid out with really any specificity, I also got to jumpstart my usual process with my own questions – “What do I want this task to be?” “What don’t I want this task to be?”

Your firm recently made a big move to the MICA campus. What’s your favorite part about the new location?

Anytime I need a boost or a break, I can walk through a gallery space and see something interesting, or pop into the library and flip through art books.

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How do you typically find your clients?

I let the new biz team handle that, and my focus is on doing high-quality work that makes their job easy.

What’s an ideal day at the office like?

A nice varied mix of tasks, some deep workflow where time has no meaning, some lightning round problem solving whack-a-mole, some positive client feedback when you check your email, some solid belly laughs with other team members, and that feeling at the end – when you fill out your timesheet – of “I just knocked this one out of the park.” And also idfive bought us pizza.

What is idfive’s mission? How did it come about?

Our whole thing is helping mission-driven brands do good better. So we do things like no-commission media campaigns, and website redesigns that are built to drive action AND help build more efficient governance structures. The whole setup is pure Andres, who is without a doubt the best boss I’ve ever had.

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If you could describe your team and work philosophy in 5 words, what would they be?

How can I help? Oooohdonuts!

What’s your vision for Baltimore? For Maryland?

I’d like to see Baltimore, Maryland, and America transcend its entrenched divisions, build sustainably and fairly, and keep on being weird and wonderful.

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Behind Design Week 2017’s Branding; A Discussion With Fastspot

AIGA Baltimore was thrilled when Fastspot agreed to be our Branding Sponsor for Design Week 2017. Their commitment to Baltimore was evident from the beginning, and with this Design Week being a resounding success, we couldn’t have of done it without them.

A critical aspect of communicating Design Week to our membership is a strong brand identity. Since 2013, we have reached out to a local design agency to partner with us and bring Design Week alive visually. Past partners have included Orange Element, Gilah Press + Design, Eye Byte Solutions, and Exit10.

Here we go behind the scenes with our Branding Sponsor, Fastspot, to learn more about their inspiration for this year’s branding for Design Week, their work outside of AIGA Baltimore, and what their company is all about!

What was the inspiration for Fastspot’s Design Week Branding?

A branding project like this one is all about using design and aesthetic choices to bring the spirit of an organization to the surface. The Baltimore design community, which we’re honored to be a part of, is full of creative people exploring, innovating, and pushing in new directions. We wanted to reflect that in a way that was exciting and authentic, and would align well with AIGA’s existing materials. Our designers drew inspiration from the city itself, in abstracted shapes of iconic Baltimore buildings and variations on found letterforms. In the end, the Design Week brand captures the quirk and vibrancy that will be very familiar to AIGA’s audiences.

What were the steps involved in creating the branding?

We begin every project with a kick-off meeting that allows us to better understand the mindset and vision for the project. Time is spent together questioning, brainstorming, and setting a vision for the project, both from a creative and a scoping standpoint. From there, it’s a lot of iteration and collaboration. The “big reveal” moment might be dramatic, but it isn’t necessarily productive. We prioritize working closely with clients to discuss, challenge, and refine the work, so that we’re all in consensus around the finished product.

What was the inspiration for being a part of Design Week 2017?

Fastspot is Baltimore through and through—many of our team members are from Baltimore or have proudly adopted the city. So we jumped at the chance to give back to this community. It’s not unusual for us to work with clients to adapt an existing branding or design system for use in a new medium or for a specific initiative. It was a lot of fun doing so for AIGA.

What was the goal of the Design Week branding?

We wanted to create a design system that breaks down barriers (real and perceived).

 

 

 

 

 

 

 

 

Could you explain an exciting Fastspot project completely unrelated to AIGA?

The Ford’s Theatre website redesign was an exciting project and a great challenge.

Ford’s Theatre is a place where the past and present collide—they teach Lincoln’s legacy while preserving the historic theatre that shows new, contemporary performances. We loved immersing ourselves in the history and cultural impact of Ford’s Theatre. During the process we learned it was controversial for Lincoln enjoy theater! It was very uncommon at the time, and he was seen as a rebel for his attendance.

One of the interesting logistical goals of the project was to make online ticketing easier. We worked with the software applications TNEW and Tessitura to make them as user-friendly as possible, something we’re continuing to partner with Ford’s Theatre to refine. A website redesign doesn’t end at site launch, and some of our most successful clients are the ones who become partners that we continue to work with for many years.

What are your typical process steps? Do they differ from AIGA work?

Our process always start with research. We ask hard questions and we do a lot of listening as we seek to uncover the real motivations and challenges that each project contains. We want to understand the potential impact on the institution or organization, and the ways in which we can help create meaningful change. From there, we create foundational strategy before we move into design and (where needed) development. Throughout our process, we’re focused on innovation and collaboration. Great ideas can come from anywhere, at any time, and we’re always ready to pursue them. All of this was reflected in our work with AIGA.

How do you typically find your clients?

Fastspot finds most of our new clients through referrals. Great work and happy clients help bring in more happy clients!

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What’s an ideal day at the office like?

An ideal day at Fastspot is when our team members feel accomplished, whether it’s because of a design breakthrough, a successful presentation, progress on a hard problem, a well-received deliverable, helping a co-worker, etc. 

What is Fastspot’s mission? How did it come about?

“To build a successful company, with great people, who do awesome, creative work, together.” 

Fastspot’s mission partly comes out of our co-founder, Tracey Halvorsen’s background as a painter. She recognizes how important your physical space and who you surround yourself with is to doing your best work. She wanted to bring that sentiment into into the business world, where collaboration and creativity should also be encouraged and acknowledged.

If you could describe your team and work philosophy in 5 words, what would they be?

Challenging, supportive, smart, honest, and brave.

What’s your vision for Baltimore? For Maryland?

Our vision is to create more of a draw to this area, whether it’s Baltimore or Maryland as a whole. We want Maryland to be a place where creative, innovative people want to live and work. 

We like that Baltimore isn’t New York or Silicon Valley, there’s opportunity to have a really great life in Maryland. The lifestyle here emphasizes a work-life that balance, which makes it a place where people can truly thrive. 

We’d like to see more local initiatives to help kids get into creative and technology fields, and support for businesses that want to grow here. We hope the city and state can have the kind of leaders who look forward to new ways of leading and governing. We’re in a new time, and need progressive leadership.

5 Questions with Orange Element

Design agency selected as the official branding sponsor for Design Week 2016

AIGA Baltimore is excited to announce that Orange Element (OE) has agreed to be the official Design Week branding sponsor for this year’s fifth annual Baltimore Design Week. Held every third week of October, Baltimore Design Week is a week-long series of events geared towards educating and inspiring the design community.

One of the most important components of communicating Design Week to our membership (430+ and growing!) is a strong brand identity. Since 2013, we have reached out to a local design agency to partner with us and bring Design Week alive visually. Past partners have included Gilah Press + Design, Eye Byte Solutions, and Exit10.

AIGA Baltimore is thrilled for the partnership with OE this year, not only because they’re a group of uber-talented creative professionals, but also because their agency has made a really awesome commitment to focus on the Baltimore community and be proactive in helping make our city a better place. To learn more, we asked Aaron Moore, Creative Director and Principal of OE, five questions:

How did OE’s mission come about?

When we established our agency in 2003, we started in the beginning with a focus on developing strong partnerships. For us, earning trust has always been as important as the design work we do, and we take that to the broader community level by making a commitment to use design and branding to help our local communities, and organizations focused on making sure our city remains a great place to live, work and play.

How is OE currently involved?

We allocate an annual percentage of our revenue to support local and regional organizations focused on improving the quality of people and places. We’re currently honing our areas of focus and where we feel our mission most closely aligns with giving back, but we have supported organizations including Parks and People, The Creative Alliance, The Girl Scouts of Maryland, The Brick Companies, Thread, The Production Club of Baltimore, The American Advertising Federation, AIGA, The Foundery, the Industrial Arts Collective, and more.

We also support local organizations by choosing one or two each year to provide either pro-bono work or reduced pricing with the intention of moving their brands and missions forward. Philanthropy is one of our core beliefs and we continue to make it a priority, both as a team and as individuals.

Tell us about the coolest thing you did last year.

The Parks and People Foundation welcomed visitors to their new Auchentoroly Terrace in 2015. The new campus will welcome community families, educators, students and leaders focused on improving our City’s green spaces and the opportunities to make each an active addition for outdoor use.

Orange Element has been involved both personally and as a company to help advance the Foundation’s mission. We were thrilled to be included and involved on groundbreaking activities, as well as engaged with helping participate in environmental graphics—from the interior entrance signage to the donor wall. We are currently working on wayfinding and outdoor signage for campus visitors. It’s so cool to think about a new community campus that will help engage our youth and provide communities the opportunities to enjoy the city’s parks.

If you could describe the OE team and work philosophy in 5 words, what would they be?

Integrity, Civility, Precision, Curiosity and Creativity. Along with philanthropy, these round out our core beliefs at Orange Element.

What’s OE’s vision for the Baltimore creative community?

Baltimore has nearly 500 non-profits working towards their respective missions. Each organization, in some way, shares a collective desire to believe in our great city. At OE, we are constantly looking for opportunities to share these stories with hope that we can connect our creative thinkers to organizations that would benefit from new insight.

With so many organizations working towards this common goal, we challenge everyone to find time to give back. Whether it’s a commitment to a board, committee, volunteer effort or donation, please use your creativity to lend hand. And stay here, in Baltimore, because it IS the Greatest City in America.

 


Photo credit: John Davis Photography